On 4 Oct 2018, at 10:09, Jacques Menu wrote:
> Hello folks, > > I’ve found this in Charpentier’s Te Deum, as engraved by the Centre de > Musique Baroque de Versailles, which I had never seen before: > > <3-2 unusual writing.png> > > It’s quite readable indeed, maybe more than using the modern notation with > quarters, and I’ve wondered if there a way to obtain that with Lily. > > Thanks for your help! > > JM Jacques, does this help? The code works for your example, but it would need a bit of work to generalise it. \version "2.19.82" whiteheads = #(define-music-function (music) (ly:music?) #{ \temporary \override NoteHead.stencil = #ly:text-interface::print \temporary \override NoteHead.text = \markup { \musicglyph "noteheads.s1" } \omit \time 3/4 \shiftDurations #1 #0 { #music } \omit \time 3/2 \revert NoteHead.stencil \revert NoteHead.text #} ) { \clef bass \key b \minor \time 3/2 \relative { d1. | e1. | \whiteheads {fis2 b,4 cis d b} | e1. | \whiteheads {fis2. gis4 ais2 | b2 b,4 cis d2 | e2. d4 cis2} | }} kind regards -- Graham _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user