Hi Jacques,
First of all, the different \grace durations (s128 instead of s8. resp. s16
s s) makes the Key Signature and Time Signature appear twice.
Second, if you use spacer rests of the correct duration, the 16th grace
notes notes will be naturally spaced and key and time sigs will happen in
the same point of time as they should.
If you try \grace { s16 } or \grace { s8 } just for fun, the shifted Time
Signature will just fall within the grace notes.
\grace { s4 } (longer than three 16th notes) will displace everything so
that you'll get a standard treble clef first an a overlayed bass clef in the
lower staff if you look closely. KeySignature and TimeSignature are doubled
and overlayed etc.
Exaggerating it and even setting \grace { s2 } or \grace { s1 } the double
KeySignature/TimeSignature will be shifted away from each other, but still
overlap.
To make a long story short (and, technically, it's not at all trivial,
otherwise this issue would have been closed many years ago):
Why not just using *matching* durations for all the auxiliary \grace spaces?
All the best,
Torsten
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