Hello Joe
Colors are practical as long as they are easy to tell appart (7 different
colors may be a practical maximum).
Also they stop working under disco light, which is something we suddenly
dicovered. ;)
You need white lights on your "score stand".
Regards,
Hallvard
Den 13. februar 2018 kl. 06.15.53 +01.00 skrev Joe Davenport
<joedavnp...@gmail.com>:
> Its a really nice score. From a mathematical nature, the use of colors is
> fairly practical. The UPEC formulation designed by Iannis Xenakis is a big
> influence on my part. I use symbols as a drafting process, inbetween
> different versions of notation. I wish you the best of luck. If you ever wish
> to exchange ideas on how it works feel free to message me, but I think the
> nature of your scores is pretty sound as is. Looks great!
>
> Joe
> <josphdavnp...@gmail.com>
>
>
>
>
>
> On Feb 12, 2018 8:35 PM, "Hallvard Paulsen" <<hallv...@sharp-paulsen.net>>
> wrote:
>
> > Hello again
> > Managed to make a score to show about what the different band members are
> > actually playing, see below:
> >
> > For convenience I also include the hand made scores they are using today.
> > (I have used the bandmembers names as instrument names. Petter's score
> > looks identical to Harald's, even though they play them differently. Harald
> > using to octaves on the keyboard, and Petter playing quart notes on his
> > guitar)
> >
> > Now, from what I have learned so far, Bjørn's score is the one that is
> > going to be the most challenging.
> >
> > Regards,
> > Hallvard
> >
> >
> >
> > ===
> > \version "2.18.2"
> >
> > \header {
> > title = "Hungry hart"
> > }
> > global = {
> > \time 4/4
> > \key c \major
> > \tempo 4=120
> > }
> >
> > chordNames = \chordmode {
> > \global g1|g|a:m|d
> >
> >
> > }
> >
> > bjorn = {
> > \global
> > <g' b' d'>1 | <g' b' d'> | < a' c' e' > | <d' fis' a' >
> >
> >
> > }
> >
> >
> > harald = {
> > \global
> > \clef "treble" <g' g''>1 | <e' e''> | <a' a''> | <d' d''>
> > }
> >
> > bassen = \relative c' {
> > \global
> > \clef "bass" g2 g | e e | a a | d d
> >
> > }
> >
> > gitar = \relative c'' {
> > \clef "treble" g4 g g g |e e e e| a a a a | d d d d
> >
> > }
> > words = \lyricmode {
> > Teksten
> > }
> >
> > \score {
> > <<
> > % \repeat volta 2 {
> > % \new ChordNames \chordNames
> > % \new FretBoards \chordNames
> > \new Staff
> > %\set Staff.midiInstrument = #"drawbar organ"
> > \with {instrumentName = "Bjørn"}
> > \bjorn
> > \new Staff \with { instrumentName = "Harald" } \harald
> > \new Staff \with { instrumentName = "Petter" } \gitar
> > \new Staff \with { instrumentName = "Trygve Andre" } \bassen
> > \addlyrics { \words }
> > % }
> > >>
> > \layout { }
> > \midi { }
> > }
> >
> > ===
> >
> > On February 11, 2018 at 4:21:57 pm +01:00, Urs Liska
> > <<li...@openlilylib.org>> wrote:
> >
> > >
> > >
> > > Am 11.02.2018 um 16:17 schrieb Hallvard Paulsen:
> > >
> > > > Hello again
> > > > I think it would be good to have colored/numbered notes for 2 reasons:
> > > >
> > > > * The band members can learn normal note notation.
> > > > * Other musicians can substitute if needed.
> > > > But if possible it would be great to have the "all color" notation
> > > > that we are using now.
> > > > (But that makes us more dependent on the "pointing assistants".)
> > > >
> > > OK, that makes things clearer. As said, *the first* option is quite
> > > simple to achieve.
> > > Could you explain a bit more concretely how that "color box" notation
> > > works?
> > >
> > > _______________________________________________
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> > > <lilypond-user@gnu.org>
> > > <https://lists.gnu.org/mailman/listinfo/lilypond-user>
> > >
> >
> > _______________________________________________
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> > <lilypond-user@gnu.org>
> >
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> >
> >
> >
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