Frescobaldi has a neat little tool to convert from relative to absolute pitch. I prefer relative as a pitch entry for ease and speed. Kieran is correct relative pitch entry can cause headaches if you start doing manipulations on stuff.
regards, Shane On Tue, Dec 12, 2017 at 5:48 PM, David Wright <lily...@lionunicorn.co.uk> wrote: > On Tue 12 Dec 2017 at 20:32:34 (+0100), Simon Albrecht wrote: >> On 12.12.2017 20:30, Shevek wrote: >> >The alternative is to use \relative {} but to use \resetRelativeOctave >> >religiously before every phrase, even the first one in a block. I find that >> >more natural for composing, personally. >> >> I find that this has the disadvantage of not checking the notes >> immediately preceding it for octave displacements. > > Well, nothing checks every note except checking every note. > > But for a composer in the heat of inspiration (!), > \resetRelativeOctave might allow one to work on a later > section even though previous sections have not yet been > fully corrected for octavation. > > Cheers, > David. > > _______________________________________________ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user