Am 27.05.2016 um 15:29 schrieb Urs Liska:
Am 27.05.2016 um 14:20 schrieb Marc Hohl:
Write the highest note as an a# and consider it as an added 13#.
Write the upper notes as c-e-bf and interpret it as bitonal (C7 over
csharp).
Ok. If I include the g-sharp I got C7#5 over c#. Wow.
That'd be an option but I meant something different. Of course (as
others have said) it's also depending on the context, that is on the
actual voicing/instrumentation and the general kind of harmony the music
seems to follow.
What I meant is: Consider the (left hand?) c# g# as "c#" without
specifying major/minor and the c e b# as C7. If I imagine this played on
a piano(-like instrument) this could well be an appropriate description
of what it sounds like.
Oh, now I understand – I read the c-sharp as the root/bass note, not as
a chord (or powerchord - guitar-wise speaking).
But I see now one mistake: the topmost note is a b-natural, so it is a
Cmaj7 over C#5.
Thzanks,
Marc
Best
Urs
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