Hi Simon,
> gives exactly the layout of your example. This is the standard way.
Actually, if you notice, the layouts are different: in the OP’s image, the top
two voices are vertically aligned, and the low voice is shifted right; in your
example (at least here on my Lily), the top and low voice are aligned and the
middle voice is shifted left.
Curiously, switching voices as
\version "2.19.20"
{
<<
\time 3/2
\key d \minor
{ \voiceOne g''2 e'' d''8 cis'' d''4 }
\\
{ \voiceTwo d''2 bes' b' }
\\
{ \voiceFour g'2 g' f' }
>>
}
results in a “left-shifted” voicing that closely resembles what the
Satie-engraving did. =)
In any case, it would be great to have a setting like
Context.voice-shifting = #’(3 1 2 4)
where one simply gives a list of the left-to-right order of voice placement to
be observed if any shifting is required.
Cheers,
Kieren.
________________________________
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
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