\version "2.18.0"
\include "english.ly"
%{
> From: Anthonys Lists <antli...@youngman.org.uk>
> Subject: Fixing overlapping notation
>
> I have seven bars rest in a part. I want some markup starting at the
> first barline, and different markup ending at the last barline. If a
> part has notes, those markups will separate horizontally naturally - how
> can I force that to happen when there's that rest?
I think that you can use the "null chord" ( <> ) wherever you want to
insert markup at a particular horizontal place in the score.
You might still have to tweak the horizontal placement--I'm not sure if you
intend that the marking at the end of the rest is right-justified with the
end of the barline.
%}
myMelody = \relative c'' {
\compressFullBarRests
<>^"Begin" R1*7 <>-\tweak self-alignment-X #RIGHT ^"End"
c32\fff ef16-> ef ef c32 c32 ef16-> ef ef c32 c32 ef16-> ef ef c32 c32
ef16-> ef ef c32-.
}
\new Staff { \myMelody }
%{
> And secondly, I want a coda sign at the end of an alternative. Of
> course, it collides with the repeat spanner :-( The problem with the
> docu or lsr snippet I found (can't remember which) was (a) it supposedly
> shortened all spanners - which I don't want - and (b) I couldn't get it
> to work anyway. I do have a different \alternative example that
> explicity codes each spanner without actually using "\alternative", but
> I couldn't get that to work either.
>
> Cheers,
> Wol
How about a short example? I'll bet you can use the same approach.
HTH,
David Elaine Alt
415 . 341 .4954 "*Confusion is
highly underrated*"
ela...@flaminghakama.com
self-immolation.info
skype: flaming_hakama
Producer ~ Composer ~ Instrumentalist
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
%}
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