I have a practical question about transposing instruments, perhaps you have some experience.
Here's my opinion, from the perspective of:
1. Copyist -- enter the "concert" (i.e., sounding) pitch, to make it easier to enter and reuse material
2. Conductor -- where possible, give the conductor the choice of having a "c-score" or a "transposed" score; where no request is given or available, supply a c-score and notate the choice clearly on the score
3. Performer -- obviously, the part should be in the "played" pitch (i.e., using \transpose)
(My first guess is that the latter is better, because this way I can easily
put that to other [...] instruments, I just have to remove the transpose)
Correct!
Hope this helps, Kieren.
_______________________________________________ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
