On Mon, Jun 23, 2003 at 11:21:34PM +0200, Mats Bengtsson wrote: > Paul forgot to mention that his answer used the new tex markup syntax > from the development version 1.7.xx and won't work directly in the > stable series 1.6.xx. I don't have Lilypond installed here right now, but > I'm sure someone else on the mailing list can provide you with a tested > version for 1.6.xx if necessary. Basically, it's something like > c4^#(columns (music "scripts-trill") (music "accidentals-0"))
Thanks, that was a big help. The above didn't quite work, but it led me in a workable direction. For the record, this is what I have at the moment, with a little context: \time 3/8 < {df'4^#'(columns((music "scripts-trill")))^#'(columns((music "accidentals--1"))) (} { s8... \grace {[c!8 df!8]}}> ) d!16. d,!32 df'8.^#'(columns((music "scripts-trill")))^#'(columns((music "accidentals--1"))) ( < df!8.^#'(columns((music "scripts-trill")))^#'(columns((music "accidentals--2"))) {s8 s32.. \grace {[c!8 df!8]}} > ) d!8 c,,!4 (I'm not sure that the "columns" are necessary -- I'm groping a bit!) The output is OK, but not optimal. The accidental above the trill mark is too large, the slur cuts across the trill in a rather unfortunate way, and I'd still prefer a wavy line after the trill (in the second measure, going the full length of the measure over both noteheads, underneath the auxilliary accidentals). But I can live with this. I'm impressed that lilypond can produce very serviceable output without any fine-tuning (although there seems a rather sharp divide between the high-level interface -- c b s4 etc. -- and the low-level one). Jacob Smullyan
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