>> Here's an updated version of the Stockhausen example, with a lot of
>> added comments to the source code.
>
> Looking at the image, this appears more to the credit of LilyPond
> than Stockhausen. I have a hard time imagining a performer bringing
> this to life in a manner justifying the complexity written into the
> score.
I fully agree. However, this is serial music, and later works are
explicitly written for (programmable) synthesizers, which Stockhausen
saw as the natural extension of a piano.
Werner
_______________________________________________
lilypond-devel mailing list
lilypond-devel@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-devel
