On Mon, May 4, 2015 at 12:25 PM, <d...@gnu.org> wrote: > This kind of addition would likely get > the most useful feedback from people *teaching* LilyPond. We don't have > a lot of those unless you count "batch teachers", namely documentation > writers.
Paco would be the obvious person to ask. (Hi Paco!) Speaking as someone who regularly gives LilyPond initiation seminars for adults and childrens, the hardest part is explaining to them why \relative mode is not on by default. (So, no matter how, \absolute would not come until later on, and \absolute [^c] even later.) That being said, I definitely see the value of an explicit \absolute mode and I really like what you’re proposing, but in this case we’d definitely need to strongly advise people to use \absolute only with some c pitch. You said: >> I find it awkward when \absolute c'' and \absolute g'' mean exactly >> the same thing. But it's not like I could not live with it. Well, OTOH: \relative c' { f g a b } and \relative d' { f g a b } _do_ mean the same thing. The second one will not be transposed one tone higher. \transpose as a separate command will always be the easiest thing to explain, however. (It’s also one of the simplest yet most impressive features for newcomers.) Cheers, Valentin. _______________________________________________ lilypond-devel mailing list lilypond-devel@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-devel