I forgot these cases (o~è~in; a~è~in; o~è~an...). They are often elided
("quest'in" instead of "questa~è~in") by editors and composers.
So your view is that lyric ties are not used in the real world? I
still feel them as a pedagogy resource for young musicians or
something. Or maybe old scores did not use them and they are now more
often used. I don't know.
Several famous editors use them, with no particular rule.
Let's take the example of Ricordi Milano.
In this score, published around 1982, there's no ties (we can see a "na
è in" in the beginning):
http://petrucci.mus.auth.gr/imglnks/usimg/2/20/IMSLP81325-PMLP165637-la_danza.pdf
In this one, published around 1925, we can find ties (and it's not a
beginner score!):
http://216.129.110.22/files/imglnks/usimg/2/29/IMSLP80146-PMLP162554-Vivaldi_-_Agitata_da_due_venti__Griselda_.pdf
In every recent score I have from them, they always use ties. Those
which were done using traditional engraving as those using Finale.
I will have to do a better patch...
http://codereview.appspot.com/4808074/
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