2011/8/11 Werner LEMBERG <w...@gnu.org>: > >>> An example is the second aria of Susanna in Mozart's `Le Nozze di >>> Figaro', bar 16: >>> >>> f2 f8 e8 g8 c8 >>> >>> fin -- chè l'a -- "ria è an" -- cor >>> >>> Almost all singers I've met during my work as a coach have problems >>> if they sing it the first time :-) >> >> That makes four vowels! i+a+e+a > > Yes :-) Since this is completely unexpected (and I don't know any > other work of Mozart with a similar situation), people are stumbling > there. > >> Here http://cosinasdeleon.blogspot.com/2009/07/hinmo-leon.html are >> two different instances of 'ioa' but they come from two words, not >> three. First "-- gio~a" , then "Dio~a". > > No lyric ties either...
So your view is that lyric ties are not used in the real world? I still feel them as a pedagogy resource for young musicians or something. Or maybe old scores did not use them and they are now more often used. I don't know. -- Francisco Vila. Badajoz (Spain) www.paconet.org , www.csmbadajoz.com _______________________________________________ lilypond-devel mailing list lilypond-devel@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-devel
