On Wednesday 07 November 2007 21:39:23 Thomas Bushnell BSG wrote: > On Thu, 2007-11-08 at 02:03 +0100, Werner LEMBERG wrote: > > As a composer by myself, it's a mystery to me why so many composers > > love to use 128th and 256th, most time for no good reason. > > Let's ask ourselves about that well-known piano hack, Ludwig van > Beethoven. Later we'll turn to Mozart, who didn't confine himself to > 128th notes, but used 256th notes too. I'm sure you'll start explaining > why you're a better composer than Beethoven and Mozart, at least, you're > not given to such notational distortions as those two well-known fools.
I'll mention another incompetent composer who writes 128th notes. Bach. Variation 16 of the Goldberg Variations. What was he thinking? Ian -- _______________________________________________ lilypond-devel mailing list lilypond-devel@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-devel
