You always had a difference between your gear & Dt. It depends on your
screen calibration (metamerism), gear calibration & all parameters (raw b/w
point, white balance, input/output color profile, base curve,...). Now, you
can use the Lut 3D module & use Fuji luts or the color look up table & the
Darktable-chart to build your own presets.


Le sam. 7 déc. 2019 à 12:36, Lorenzo Fontanella <fontanellalore...@gmail.com>
a écrit :

> Good morning,
> I tried to reduce EV, but that's not the motivation and so it's not the
> solution to my problem.
> I also took some ISO100 shots (minimum isop downward extension), so as to
> disable the amplification of the sensor and remove the DR mode and Dynamic
> Range Priority, and the problem is the same.
>
> Lorenzo Fontanella
> -------------------------------
> Calcinato Via Monte 2 - cell. 3288145594
>
>
> Il giorno sab 7 dic 2019 alle ore 09:16 rawfiner <rawfi...@gmail.com> ha
> scritto:
>
>> Do you have a DR setting enabled on the camera? (Like DR200 or DR400 or
>> DR auto)
>> This setting results in underexposed raw images.
>> You can try adding 1EV or 2EV in the exposure module to compensate for
>> that.
>>
>> rawfiner
>>
>> Le sam. 7 déc. 2019 à 08:12, Axel Gerber <a.ger...@axel-gerber.de> a
>> écrit :
>>
>>> Is it possible, not the right basecurve is chosen? What do you see, when
>>> you open basecurve and open the selector for diff BC styles?
>>>
>>> Von meinem Mobiltelefon gesendet
>>>
>>>
>>> -------- Ursprüngliche Nachricht --------
>>> Betreff: [darktable-dev] Fujifilm H1 treatment differences between jpeg
>>> and raw files
>>> Von: Lorenzo Fontanella
>>> An: darktable-dev@lists.darktable.org
>>> Cc:
>>>
>>> Good morning,
>>> I submit a problem for which he has lost sleep without ever finding a
>>> valid explanation, maybe you can help me understand if it is due to a bug,
>>> a wrong setting or something else.
>>> DarkTable when opening my shots reproduces .jpeg and .raf files in a
>>> totally different way.
>>> From the screenshots you can find at this link, you can evaluate
>>> yourself.
>>>
>>>
>>> https://drive.google.com/drive/folders/1jhPJJmv08gg8jzsyGnvgzwXiymAHiOMh?usp=sharing
>>>
>>> The "clearest" images refer to jpegs, these images are also identical to
>>> how the camera shows them during shooting and preview.
>>>
>>> Some thoughts:
>>> 1. With other software the difference that exists anyway, since we talk
>>> about jpeg files already processed and compressed by the camera and
>>> untreated raw files, is not so marked.
>>> . The setting applied to the camera is minimal and the profile is the
>>> Provia / Standard
>>> . This behavior is present even if in a different way, even with shots
>>> taken at ISO100 (ie without sensor amplification)
>>> . Even using the Clut tables created to emulate the same effect (Provia
>>> / Standard), the difference is huge, in fact with those it is not clear how
>>> colors are changed, so they are simply useless.
>>>
>>> I write to you because my goal is to get jpeg / raw (similar) files
>>> considering the natural and physiological differences that pass between
>>> these two output files.
>>>
>>> Now if I start working on a .raf file, it's because I want to improve
>>> the jpeg on camera for various reasons. Currently working on the .raf file
>>> I have to work only to get similar results to the jpeg on camera, which
>>> makes the work of developing the raw files useless.
>>>
>>> Thanks
>>> Lorenzo Fontanella
>>>
>>>
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>>
>>
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