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The October 2018 issue of the Journal of the Institute of Conservation (Vol 41, 
no 3) is now available online and in print soon

https://icon.org.uk/news/the-latest-issue-of-the-journal-of-the-institute-of-conservation-is-out-now

<https://icon.org.uk/news/the-latest-issue-of-the-journal-of-the-institute-of-conservation-is-out-now>

https://icon.org.uk/what-is-conservation/publications


This issue features a diverse range of subjects and includes articles published 
as free-to-view with thanks to the support of the publisher, Taylor and Francis.


Full Articles include the technical description of the conservation of a 
mid-eighteenth century sofa with a mix of synthetic and traditional materials; 
a survey asking how museums across the world mitigate emissions of volatile 
organic compounds (VOCs) from display cases; on using Photometric Stereo (PS) 
to reverse-engineer the technique Paul Gauguin used for a set of important 
transfer print drawings; and an extensive analysis of the pigments used in 
nineteenth century Chinese export watercolours. Finally, a Shorter Notice 
describing innovative experimental work using essential oils from trees to 
immunise wooden sculpture against wood decaying fungi end the final issue of 
this years volume.

Contents:

Editorial

FULL ARTICLES:

Lynn McClean, Heather Porter and Stephen Jackson

Twenty first century sofa: conserving an eighteenth century object for modern 
museum display



Giulia Bertolotti and Capucine Korenberg

The use of wood based products in showcases: an insight into current practices


Mary Broadway, Harriet Stratis and Marc Walton

Cast In A New Light: Surface Shape Studies of Paul Gauguin’s Transfer Drawings


Wang Bin, Yu Hui, Guy Bovyn and Joost M.A. Caen

In Situ Investigation of Chinese Export Watercolours in the Nineteenth Century: 
Pigments and Dyes



SHORTER NOTICE


Pei-Chi Wu and Chia-Ling Chou

The utilisation of essential oils for wood sculpture conservation at Juming 
Museum, Taiwan


BOOK REVIEW

Lynne Harrison reviews A Perfect Ground: Preparatory Layers for Oil Paintings 
1550–1900

Icon members and subscribers can access and download these articles for free by 
logging in at:  http://iconjournal.weebly.com/  Please enter the password that 
was sent to you with your membership renewal package or contact 
membership_at_icon.org.uk. Don't forget that with you Icon membership you have 
free access and downloads of this issue, a print copy, and access to all the 
back catalogues of the Journal, The Conservator and The Paper Conservator. 
https://icon.org.uk/support-icon/join-icon
The Journal is a fully peer-reviewed and focused on the preservation of 
cultural heritage in all its forms - it primarily publishes innovative research 
and practice-related articles and shorter notices. We also welcome book 
reviews. If you would like to discuss a potential article please contact the 
Editor directly at journal_at_icon.org.uk.

Many thanks

Dr Jonathan Kemp
Editor, Journal of the Institute of Conservation


www.tandfonline.com/toc/rcon20<http://www.tandfonline.com/toc/rcon20>


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