On 18.10.2015 13:25, Gilberto Agostinho wrote:
Hi Simon,
Thanks for the reply. I am not sure I understand your answer, do you
mean that in the tiny example I created I should simply have used a
"Solo I" indication in the fourth bar instead of using rests?
No, the solo indication should be created automatically by the
partcombiner. It isn’t in 2.19.15, but that’s a bug fixed in 2.19.16. Is
there any particular reason why you’d need to stick to that version?
If that's the case, then I disagree with you that would be a better
solution than rests, as using a Solo indication for a single note
before a polyphonic bar looks very bad to my eyes, and I have seen
this type of notation I used in the tiny example (of using rests
instead of Solo indication) in plenty of scores.
Actually, the NR is not clear on how \partcombineApart should behave for
such passages, where one of the voices has rests; the description reads:
‘\partcombineApart and \partcombineApartOnce keep the notes as two
separate voices, even if they can be combined into a chord or unison.’
(NR 1.5.2, Automatic part combining). So as I understand it the main
point of your request would be the behaviour of \partcombineApart, if
one voice has rests. Perhaps someone more acquainted with the topic can
comment on that.
It seems likely to me that there are many different policies on
partcombining, and LilyPond cannot cater for them all. But I now
understand why you would expect for \partcombineApart to explicitly show
the rests of the silent voice.
So regardless of notational preferences, I think we both can agree
that partcombiner should be able to deal with R1*N type of notation.
Which it can, and though it may not be up to your preferences, the
output is unambiguous, understandable and correct.
Sorry I can’t help more. I may raise an issue though, but I’d like for
someone else’s opinion before.
Yours, Simon
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