Comment #4 on issue 694 by joseph.wakeling: Enhancement: arrowed heads for
microtone accidentals
http://code.google.com/p/lilypond/issues/detail?id=694
I initiated some discussion of the arrow microtonal notation on the
lilypond-user
mailing list in April 2009 -- at the time no one mentioned Maximilian's
patches or
the discussion on the -devel list.
What motivated me was an aspect of arrow quarter-tone notation that isn't
actually
addressed either by Maximilian's patches or the existing arrow notation in
2.12: the
extended enharmonic equivalence that arises where, for
example, 'c-quarter-sharp' can
be notated as either c-natural-with-arrow-up or c-sharp-with-arrow-down.
http://lists.gnu.org/archive/html/lilypond-user/2009-04/msg00139.html
The rough solution I came up with at the time follows a form similar to
Maximilian's
patches:
http://lists.gnu.org/archive/html/lilypond-user/2009-04/msg00649.html
... but it runs into some key difficulties, notably transposition. I
suspect
Maximilian's patches, as they are, will also face these difficulties.
For an example of such a transposition issue, imagine taking E-sharp-up and
transposing it to Bb: you get F-double-sharp-up, which is not only
ridiculous but
also has no associated glyph.
I wonder if it would be possible to combine Maximilian's approach with mine
and
resolve both these issues of transposition and enharmonically-equivalent
arrow notations?
I'm asking in particular because it seems that my approach is of interest
to people
-- I've recently exchanged a series of emails with a freelance typesetter
working for
C. F. Peters for whom my solution, with its complete set of arrow
accidentals, proved
vital. We have attempted to solve the transposition problem with tags --
different
notes for the concert and transposed parts -- but it's an ugly, finnicky
way to
address an issue that needs a more elegant resolution.
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