Thanks for the report. This is simply a product of aligning the
rehearsal mark on the time signature; if you add
\override Score.RehearsalMark #'break-align-symbol = #'clef
to your example, it looks exactly like Mats' example, so there's no
point to adding this to the bug tracker.
Cheers,
- Graham
Marcus Macauley wrote:
I see that Mats Bengtsson has already pointed out that rehearsal marks
(\mark) are aligned over the right edge of double barlines, repeat
barlines, etc., rather than over their center.
http://code.google.com/p/lilypond/issues/detail?id=97
But I've noticed something worse. When there's a new time signature, the
rehearsal mark will be aligned over some point between the barline and
the time signature -- well right of even a normal barline. See, for
example:
\version "2.9.17"
\relative c'{
c1 \mark "A"
c1 \mark "A" \time 4/4
c1 \mark "A" \bar "||"
c1 \mark "A" \bar "||" \time 4/4
c1
}
Or, to combine it with Mats's example:
\version "2.9.17"
\relative c'{
c1 \mark "A"
c1 \mark "A" \bar "||"
c1 \mark "A" \bar ":|"
c1 \mark "A" \bar "|:"
c1 \mark "A" \bar "|."
c1 \time 4/4
\break
c1 \mark "A" \time 4/4
c1 \mark "A" \bar "||" \time 4/4
c1 \mark "A" \bar ":|" \time 4/4
c1 \mark "A" \bar "|:" \time 4/4
c1 \mark "A" \bar "|." \time 4/4
c1 %\time 4/4
}
\layout { indent = 0\mm }
Marcus
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