What is a "Note" ?? *The word "note" has two distinct meanings in its
British usage (see alternative names):*

* 1.* *A single sound (one that is heard)*
* 2.* *A single notated symbol for a sound (one that is written)*

*Although these are physically two different things, they have a one-to-one
relationship. My definition of a note is a single pitch which is heard for a
certain amount of time:*


   - *Traditional music notation is structured around this definition of a
   note.*


   - *Music consists of many notes*

~ *Sometimes notes come after each other in time (sequentially, e.g. in a
sung melody).

*
~ *At other times many notes are heard at once; this is usually because many
instruments or voices are each playing or singing a different part.*

~ *When music is written down, each individual note is individually
represented, both those which are heard sequentially, and those which are
heard all at once.*

~ *Each individually represented note has a single frequency or pitch and
lasts for a certain amount of time.*

~ *During the length of a note, whether it be short or long, it may change
its loudness, or sometimes even its quality (or tone), but it is still
considered to be the same note.*

~ *It follows that a single note in a single part is played or sung by only
one type of instrument or voice.*

Regards,
Ganesh

On Sat, Jun 28, 2008 at 8:30 PM, Ganesh Narayanan <[EMAIL PROTECTED]>
wrote:

> Frequency & Pitch..Contd...
>
>    - ***A note is produced by a very rapid, regular pulsing.*
>
> *If you take a drum sound with a beat every second*
> *Then speed it up to 512 times per second*
> *You will perceive it as a note of 512Hz, as in the example above*
>
>    - *There are a lot of examples in real life that you will already be
>    familiar with:*
>
> *The high-pitched whine of a mosquito is caused by the wings beating at
> over 1000 times a second*
> *
> **The sound of a propeller starting up, at first a slow thump, which turns
> into a low noise, and finally into a whine**
>
> The note produced by a razor or a vacuum cleaner is caused by the regular
> movement of a blade or motor.**
>
> The best example is probably a electronic metronome, which uses the same
> oscillating circuit to produce a beat as to produce a tuning note. A tuning
> note is produced by getting the circuit to oscillate at 440Hz.
>
> *
> Regards,
> Ganesh
>
>
>
> On Sat, Jun 28, 2008 at 8:24 PM, Ganesh Narayanan <[EMAIL PROTECTED]>
> wrote:
>
>> Frequency or pitch
>>
>>    - *Pitch is a musical term with a meaning which is very close to the
>>    meaning of the scientific term frequency*
>>
>>
>>    - *The scientific term frequency is slightly more specific than the
>>    normal use of the word frequency, which means simply "how often something
>>    happens".*
>>
>>
>>    - *It means the number of times an event occurs in a period of time.*
>>
>>
>>    - *Hertz (abbreviated to Hz), is the scientific unit for the number of
>>    times an event happens in one second.*
>>
>>
>>    - *For example, an electric current which alternates its direction 50
>>    times each second is referred to as 50Hz*
>>
>>
>>    - *A computer with a clock tick 90 million times a second is called a
>>    90MHz machine ("M" being short for the prefix "Mega" meaning a million)
>>    *
>>
>>
>>    - *H. R. Hertz was a physicist in the 19th Century (1857-1894)*
>>
>>
>>    - *A note (in my definition) has one, and only one, pitch.*
>>
>>
>>    - *The pitch or frequency can be stated in a number of different ways:
>>    *
>>
>>
>>    - *The scientific way, e.g. "512Hz".*
>>
>> *This method is absolutely precise and accurate*
>>  *There is no possibility of error or inaccuracy*
>>
>> **
>>
>>    - As a musical description, e.g. "Treble C" or, " c' ", or "The third
>>    space on the treble-clef", or "C above middle C"
>>
>> *This method is not precise and not accurate*
>> *There is scope for misunderstanding*
>> *If the instruction is understood, the exact pitch is imprecise and will
>> depend on the tuning of the instrument*
>>
>> Regards,
>> Ganesh
>>
>>
>> On Sat, Jun 28, 2008 at 8:19 PM, Ganesh Narayanan <[EMAIL PROTECTED]>
>> wrote:
>>
>>> What is Rhythm...
>>>
>>>    - *Rhythm in music is dependent on the fact that humans recognise a
>>>    beat occurring at a regular interval.*
>>>
>>>
>>>    - *Rhythm in music is more than just a beat, however; it is the way
>>>    that sounds with differing lengths (or gaps between them) and accents can
>>>    combine to produce patterns in time which contain a beat.*
>>>
>>>
>>>    - *These sounds do not have to be particularly musical; rhythms can
>>>    be made by striking almost anything, as long as there can be difference 
>>> in
>>>    accent.*
>>>
>>>
>>>    - *Differences in accent can mean different sounds or just different
>>>    loudness (i.e. amplitudes) of sounds*
>>>
>>>
>>>    - *It is common to speak of a particular rhythm, referring to a
>>>    pattern of note lengths which occurs in a piece of music.*
>>>
>>>
>>>    - *It is important to understand that the rhythm is defined by the
>>>    pattern; the overall speed of it could vary from performance to 
>>> performance,
>>>    but the rhythm would still be the same.*
>>>
>>>
>>>    - *The speed or tempo of a piece of music is indicated by a metronome
>>>    marking and/or a direction word or phrase; its rhythm is specified by
>>>    various note lengths creating beats within bars.*
>>>
>>> Regards,
>>> Ganesh
>>> *
>>> *
>>>
>>> On Sat, Jun 28, 2008 at 8:17 PM, Ganesh Narayanan <
>>> [EMAIL PROTECTED]> wrote:
>>>
>>>> What is a Bar or measure?
>>>>
>>>>
>>>>    - Music is normally divided into equal time-lengths called bars (or,
>>>>    in some countries, measures - see alternative names), each consisting 
>>>> of the
>>>>    same number of beats.
>>>>    - The time signature gives the number of beats in a bar and the type
>>>>    of beats, so it tells you how long each bar is (in terms of the number 
>>>> and
>>>>    type of notes and/or rests in a single part in that bar).
>>>>    - Bars dividers, called bar-lines, are indicated in a score by a
>>>>    vertical line from the top to the bottom of the stave. A double 
>>>> bar-line is
>>>>    written at the end of a piece:
>>>>    http://neilhawes.com/sstheory/stave2pt.gif . The double bar-line is
>>>>    sometimes written with the second line thicker than the first; this is
>>>>    normally used at the very end of a piece, and two equal lines are used 
>>>> at
>>>>    the end of sections.
>>>>    - Bars give an intuitive division of a piece of music into
>>>>    manageable chunks; the strongest accents come on the beat immediately
>>>>    following a bar line, so it is relatively easy to count bars, and it 
>>>> should
>>>>    be easy to count the beats within each bar.
>>>>    - The number of bars in a section of music is often regular; four
>>>>    bars often make a short phrase, eight bars and sixteen bars are often 
>>>> the
>>>>    section sizes next largest. These numbers feel "natural"; a section of 
>>>> 17 or
>>>>    19 bars often feels "wrong". This is because of a hierarchical 
>>>> structure of
>>>>    beats strengths that we naturally feel; there is a strong accent on the 
>>>> beat
>>>>    at the beginning of every fourth bar, an even stronger one at the 
>>>> beginning
>>>>    of every eighth bar, and so on.
>>>>
>>>>
>>>>
>>>> On Sat, Jun 28, 2008 at 8:08 PM, Ganesh Narayanan <
>>>> [EMAIL PROTECTED]> wrote:
>>>>
>>>>> *Within the context of a piece of music, the word beat has a special
>>>>> meaning. It is the consistent pulse of the music, as in the previous 
>>>>> meaning
>>>>> (above), but the special meaning also includes the duration of the beat 
>>>>> and
>>>>> the way the beats are grouped.*
>>>>>
>>>>>
>>>>>    - *The note length of the beat is specified by the time signature.*
>>>>>
>>>>>
>>>>>
>>>>>    - *The time signature also specifies how many of these beats there
>>>>>    are in a bar.*
>>>>>
>>>>>
>>>>>
>>>>>    - *The speed of this beat is specified by any direction words
>>>>>    and/or metronome marking.*
>>>>>
>>>>>
>>>>>
>>>>>    - *The first beat in each bar is generally felt as stronger than
>>>>>    the other beats in the bar. This might be literally by a stronger beat
>>>>>    perhaps by a drum, or it might be implied by the harmonic or melodic 
>>>>> shape
>>>>>    of the music. Within a bar of four or more beats, there will almost
>>>>>    certainly be a sub-division, which means that another beat in the bar 
>>>>> will
>>>>>    be felt as being stronger than the others, but not as strong as the 
>>>>> first.
>>>>>    This pattern of strong, less strong and weaker beats is normally 
>>>>> governed by
>>>>>    the time signature.*
>>>>>
>>>>>
>>>>>
>>>>> On Sat, Jun 28, 2008 at 8:07 PM, Ganesh Narayanan <
>>>>> [EMAIL PROTECTED]> wrote:
>>>>>
>>>>>> Jus thought of sharing some really useful Information that i found on
>>>>>> the net while trying to get some music lessons....of late hearing a lot 
>>>>>> of
>>>>>> musical Jargons on orkut...thought of reading up on them to understand 
>>>>>> what
>>>>>> do they exactly mean...hope u'll enjoy reading it!!
>>>>>>
>>>>>> What is a Beat.... There are two slightly different meanings of the
>>>>>> word "beat" in music, but the second is essentially a special case of the
>>>>>> first:
>>>>>>
>>>>>> *1) Beat is the most fundamental concept of rhythm:*
>>>>>>
>>>>>>
>>>>>>    - *A beat is a pulse that occurs at regular intervals, i.e. with
>>>>>>    equal time intervals between the pulses, which is heard (and often 
>>>>>> felt) by
>>>>>>    humans.*
>>>>>>
>>>>>>
>>>>>>    - *A regular beat can have an emotional effect on a person: for
>>>>>>    example, it can be exciting, relaxing or irritating.*
>>>>>>
>>>>>>
>>>>>>    - *There are probably many reasons why our brains "tune in" to a
>>>>>>    regular pulse:*
>>>>>>
>>>>>> *
>>>>>> * Our heartbeat is (normally) regular
>>>>>> * When we walk or run, our feet land in a regular rhythm (in order to
>>>>>> maintain balance)
>>>>>> * To be able to judge time properly, we have to be able to accurately
>>>>>> subdivide it, e.g. count seconds*
>>>>>>
>>>>>> *# **These regular intervals could be any perceptible interval, but
>>>>>> experience shows that useful pulse speeds are those which can be counted 
>>>>>> and
>>>>>> felt, which are similar to the speed of walking, or the speed of a
>>>>>> heartbeat, i.e. between around 40 a minute and 200 a minute (over 3 per
>>>>>> second).*
>>>>>>
>>>>>> *# **In general, a slow beat will be about 70 or less, which can be
>>>>>> compared to a leisurely walking speed or a heartbeat in relaxation; a 
>>>>>> fast
>>>>>> beat will be from 120 upwards, which can be compared to a fast walk or 
>>>>>> run
>>>>>> or a fast-beating heart; generally speaking, a slow beat is relaxing and 
>>>>>> a
>>>>>> fast beat is exciting.*
>>>>>>
>>>>>> *#* *The beat may have a definite frequency or pitch, or it may not.*
>>>>>>
>>>>>> *# **Even if a beat is regular, it may not be exactly the same each
>>>>>> beat each time:
>>>>>>
>>>>>> * the volume may change in some pattern
>>>>>> * the pitch may change in some pattern
>>>>>> * the tone may change in some pattern
>>>>>> * any combination of any of the above may change*
>>>>>>
>>>>>> *# **When a beat is combined with patterns of accents, and other
>>>>>> patterns of changes in pitch, volume etc., then you have the beginnings 
>>>>>> of
>>>>>> rhythm.*
>>>>>>
>>>>>>
>>>>>
>>>>
>>>
>>
>

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