Whatever Pyarelal might say, it doesnt affect the fact that LP is one of the most successful music directors in hindi film industry. May be the most successful. Before you guys get upset let me tell you why. They started their career in 1963 with Parasmani. Their first block buster was Dosti 1964. They had blockbuster songs every year all the way till Klahnayak. (1993). Which means 30 years of hits. They did compose after Khalnayak but never had a big hit. Composing hits for 30 years is not a small thing. The taste changed so much in that period and they were able to adapt. But now he has grown too old to adapt. This will happen with everybody. Sad human truth.
For people who have loved Hindi music, they can never forget Dosti, Khilona, Amar Akbar Antony, Ek Duje Ke Liye, Bobby, Satyam Shivam Sundaram, Ghulami, Utsav, Hero, Roti, Shor, Kranti etc. Lets not insult them. .. I am sure 30 years down the line you wouldnt want someone to say something similiar about ARR. On Dec 24, 2007 4:14 PM, Gomzy <[EMAIL PROTECTED]> wrote: > Vijay ! you cant be that ignorant either! They have been great composers > , with movies > like hum, saudagar, Tehzaab, maine pyar kiya to name a few. Ofocurse with > their share of plagiarism too . :) > > > On 12/25/07, [EMAIL PROTECTED] <[EMAIL PROTECTED] > > wrote: > > > > Who are they ??! :-) > > > > ________________ Reply Header ________________ > > Subject: Re: [arr] Semi-Arr - Pyarelal on current composers and more ... > > Author: ": Avinash :" < [EMAIL PROTECTED] <avinashdc21%40yahoo.com>> > > Date: 24th December 2007 06:41 > > > > Hi Vijay, He's one of the Laxmikanth-Pyarelal Duo. Mr. Laxmikanth is no > > more now. > > > > Regarding to his below statement, I think he lacks little open minded > > approach to today's MDs. I agree with his first sentence that major > > change in today's music is presentation style. But I don't agree with > > the second, the main mantra of todays MD's (SEL, VS, Rahman) is putting > > more emotions and creating mood in the music. That's what bringing them > > the success and emotional bonding with listeners. > > > > "The 'sur' and the melody of Hindi film song is same as those of 60s and > > > > 70s but the presentation style and the priorities have changed. Nowadays > > the emotional bonding of the song with the listener is temporary as > > music directors give more attention to rhythm and beat and lose control > > over its melody due to the lack of knowledge," says the director. > > > > . . . . > > > > Ha ha.. the below statement is really ridiculous :) Do you think the > > Grand music in Lagaan, Taal, WOHE, Bose and some of his best tamil films > > > > are prepared in small room.?! .. Naa.. that's just a hypothetical > > thinking, like most of skeptics did during early days of Rahman's music. > > But frankly saying Rahman is master in both ways. He did different > > things as well as things differently. > > > > A R Rehman prepares his music sitting in a small room whereas in our > > times live orchestra used to perform for the recording." > > > > Just my opinions... > > > > regards, > > > > Avinash > > > > --- In [email protected] <arrahmanfans%40yahoogroups.com>, > > [EMAIL PROTECTED] wrote: > > > > > > Whos he -:) > > > > > > ________________ Reply Header ________________ > > > Subject: [arr] Semi-Arr - Pyarelal on current composers and more ... > > > Author: "Anil Nair" [EMAIL PROTECTED] > > > Date: 24th December 2007 03:08 > > > > > > He doesn't seem to have a great opinion abt the current lot .. Rahman > > > included ..(not that it matters ....) > > > > > > http://www.hindu.com/thehindu/holnus/009200712231523.htm > > > > > > -A > > > > > > > > >
