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More Academy Resistance to Films
From or About Palestine?

 

The Academy of Motion Picture Arts & Sciences

Rejects Italy’s Official Entry for Oscars

 

Despite international acclaim and recognition, the California-based

Academy of Motion Picture Arts and Sciences (AMPAS) has

disqualified the Italian submission for the 2005 Oscars due to

complications that challenge the Academy’s foreign language

regulations.  The film, “Private,” was written and directed by

Italian Saverio Costanzo, and produced by an Italian crew, in

association with Italian-based Rai Cinema, Instituto de Luce,

Offside and Cydonia. The drama, which has been hailed as a

courageous and optimistic look at the Middle East situation and

features a groundbreaking cooperative Palestinian and Israeli cast,

was shot primarily in Arabic and Hebrew.

 

"Private" is an unflinching portrayal of a Palestinian family whose

refusal to evacuate their home results in their cohabitation with

Israeli troops who occupy the house. Its past honors include

the Golden Leopard for Best Film at the Locarno Film Festival, the

FIPRESCI Jury Prize at the San Francisco Film Festival, and the

Italian David di Donatello Award for filmmaking. Leading man

Mohammad Bakri also won lauds for Best Actor at Buenos Aires

and Locarno film festivals. According to the Hollywood Reporter,

“Private” received the required 4/5 majority vote among the

17-member selection committee set up by Italy’s motion picture

association, ANICA.

 

However, the film has been rejected by the Academy based on

technical difficulties resulting from the Academy’s Best Foreign

Language Film Award policy, which states “films involving

subcultures that speak a non-English, non-official language may

qualify if their subject matter concerns life in the submitting

country.” Final determination of eligibility is left to the Academy’s

discretion.

 

According to the Italian newsgroup, ANSA, Instituto Luce, the

company which co-produced and distributed “Private” in Italy, said

it had consulted Italian and American lawyers before putting the

movie forward, and had been told it qualified. The director, who

employed a hand-held verité-style filming technique in order to

present a realistic and honest narrative, responded by saying "If

the film had been made in Italian it would have been laughable.”

 

This is not the first time a film about Palestine has met

resistance from the AMPAS selection committee; in 2002 Elia

Suleiman's award-winning film “Divine Intervention” was denied

consideration, based on the claim that "The academy does not

accept films from countries that are not recognized by the United

Nations," and "Palestine does not have membership in the United

Nations." However, AMPAS has not outlined this policy as part of

its official regulations, and many felt the decision was politically

motivated. “Divine Intervention” eventually did receive Oscar

consideration in 2003, and Palestine has since submitted films in

2004 and 2005.

 

Although “Private” remains eligible for other categories for the

2005 Academy Awards, the news is disappointing to the film’s

cast, crew, producers, and distributors, many of whom feel the

current restrictions regarding foreign cinema eligibility for the

Oscars are outdated and inappropriate in today’s cross-cultural

society. 

 

“Private” will have its US theatrical premiere on November 18th

at the Angelika Film Center in New York City.  It will open in Los

Angeles on December 2nd, with a wider national release in early

2006.  More information on the film is available at the official

website, www.privatethefilm.com.

 

 

 


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