John Pareless at NYT has a useful take on the Mariah Carey debacle last
night on the ABC Ball Drop-Show. Our family did our usual 30 minute
interrupt of our TV binge to watch the show, go to the bathroom, and
call/text family and friends. We saw her set, wondered what we were seeing,
and read some internet snark that she got caught lip synching. Then I didnt
really think about it any more.

Pareless says though that 1) it wasn't that the main vocal track did not
come on (which is what we assumed), but that they had planned on having her
do the main vocal (to an absurdly difficult song) live and she realized
that she just could not do it.

I still can not quite believe that Carey and her management team really
planned on doing that main vocal live, at midnight, outside, at Time's
Square. Maybe she could have done that when she was 25 (even then, I doubt
it), but never now. I still suspect that main vocal track for some reason
did not come on. But more interesting is his point that:

2) the fault lies not so much with pop starts who try to fool us with lip
synching, but a mainstream audience that was raised on music videos to
think that live concerts do and are supposed to sound like studio albulms.
When I was in high school I had a chance to hear Paul Simon perform, and
remember a little disappointment that his version of I think Kodachrome did
not sound like the record. My older cousin who took me gave me a withering
lecture about the joys of live concerts, and that if you just want to hear
the record you should stay home.

We need some kind of high profile live TV concert with some of the beat
current singers in which they carefully explain to the audience that there
will be no sweetening, no vocal tracking, that this will often mean the
songs will sound different because it is physically not possible to
reproduce the same sound live, and also because the artistry of music
involves the performer making changes on the spot to express their current
thinking and feeling about the song, not what they and or thier producers
were thinking 5 years before. Live human performances are often in places
out of tune, off-beat and contain mistakes of various kinds - that is part
of how you know it is live.

My daughter tells me even this is not all of the problem - that so many
live concert shows are so overly produced that many people hardly ever hear
real, live singing from gathering bigger name acts. So I guess I should not
blame TV concerts as the cause of the problem, but they still can be part
of the cure...




http://www.nytimes.com/2017/01/01/arts/music/mariah-carey-new-years-eve-live-performance.html?smprod=nytcore-ipad&smid=nytcore-ipad-share
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