http://www.beautywithoutirony.com

For any who are interested!


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this is a meditation upon beauty without irony
by stanley gemmell - homepage, http://scroll.to/surlsone



First let us reflect on what is commonly called beauty.  Oftentimes, folks say beauty 
is what is popular or commonly adored.  Othertimes people claim that the unusual is 
the truly beautiful.  But what do these categories really point to?  To the simple 
fact: first beauty must be present.  Something beautiful must be appreciable by the 
senses.  That is what I believe true beauty to be.  Something which contains presence. 
 But not just something which is only simply present.  True beauty must have a certain 
relationship with presence... which is what this meditation will concern itself with 
:-)

Presence is what is.  The environment, the three dimensions, the things we sense.  
These are the things which are potentially beautiful.  The growing dark of evening as 
it gracefully merges and fills into the whole, huge night.  But what makes this beauty 
real?  The way I understand it, the tragic and fleeting all-too brief nature of the 
truly beautiful.  The fact that the form of what is pleasing is destined to change 
shape.

When one notices something beautiful, it seems as if time has stopped, and every 
single idea we ever had and every single hope or dream has taken on flesh and matter, 
form and function.  This is an amazing, exhilarating experience.  Something drastic, 
no?  Well... this is precisely where and when one makes an either conscious or 
unconscious decision about what to do regarding beauty.  If we become ironic, and 
allow for a difference between what we feel and what we mean, this beauty may seem 
cheap.  It may seem like just another ghost or pawn in the game or mere figurehead for 
something deeper... perhaps bitterness, or unfulfilled longing or worse, untruth!  But 
if one notices something beautiful and decides to cast out every preconception, and 
really pay attention, then beauty becomes tremendously powerful.  Beauty becomes a 
saving grace with the ability to make us happy and enlighten us and make us more able 
to fulfill the promise our lives represent to the rest of the world.

Beauty without irony is an ethos.  A path through the life we create which organizes 
itself around an important principle: that beauty must never be allowed to be "merely" 
this or that.  That beauty is a serious opportunity for growth and harmony, and that 
irony does beauty a disservice by placing it at odds with itself.  When beauty is 
mixed with sarcasm, or cruelty, or laziness, or too much ego and self-praise it loses 
an important humility which helps giude it into the senses and lives of others.  
Beauty without irony would see a gorgeous person, but not feel jealous, it would 
instead try to discern detail, over-all pattern and form, it would realize that to see 
this person with yesterday's eyes would only admit to the failure of this moment's 
opportunity.  The opportunity to notice something fresh and exciting as part of the 
world one dwells in.  Chaos, absence, the trace and the negative also have a place 
among the beautiful, but must be supported by positive search and care.


Beauty may be popular.  The Beatles made beautiful music and even people who did not 
understand one word they sang liked it!  When beauty is both popular and respected one 
enjoys communion and fellowship with like-minded others.  Every single Beatles fan 
feels like part of a unified whole.  Beauty may be unusual.  The particular looks of a 
certain fashion model, for instance, are unlike most others' appearance.  This model 
with unusual looks becomes prized as a rare example of pleasing grace and all who look 
upon the model are immediately struck by how valuable this uncommon form of beauty and 
the appreciation of it truly are!


Irony destroys both the popular and the unusual forms of beauty by derision and 
mockery, hypocrisy and ungenerous intent.  Instead of praising beauty, irony attempts 
to humiliate it by reducing it to a cruel puzzle in which the observer takes on an 
impossible quest to search for a so-called "true" meaning, as opposed to accepting 
what is before the observer's eyes as a presence of truth in and of itself...  I'll 
explain :-)

Humanity has always asked questions, this is one way we reach for higher knowledge and 
deeper emotion, among other things.  If we are before a great painting, we may ask, 
what does this image mean?  How can we relate with the painter's vision and 
inspiration?  These are great questions and can spur us on to finer thought and 
greater appreciation of an artistic object which is worthy of such scrutiny.  But let 
us imagine an ironic art lover who cracks jokes about the work and calls it ugly and 
senseless.  The ironic observer spurs us to look for meaning elsewhere than in the 
work.  The ironic observer asks us to find meaning in the jokes and sarcasm (and the 
worldview such attitudes represent, think about it) and not in the beautiful object 
itself.  The ironic observer claims to carry the codes to put beauty in its place, 
which becomes a cage of ideas the irnoist attempts to lock us into.  Beauty, for the 
ironist, does not reside in the object but in the labels, classifications and opinions 
the ironist gives importance to.  Therefore the object becomes servile and 
subordinated to the thoughts of the ironist, who places a far greater value on him or 
herself rather than on the external world.  If we follow in those dangerous, unkind 
footsteps we will never be able to realize the beauty of the object outside of our 
relation to it.  We are therefore always to defer importance and significant, 
available truth: it is not to be found in what is present, but in what is absent.  In 
everything the painter failed to paint, and in everything the art lover failed to 
notice or think of.

This is a very bad situation.  Harsh criticism has tortured the sensibilities of art 
appreciators for ever!  Many artists and beauty lovers have gotten extremely sad from 
the thick headed stupidity of people who do not try to think beyond the confines of 
their prejudices and inherited opinions.  Beauty demands that one lay aside prior 
conventions (except as helpful markers to understand the over-all context of the 
beautiful) and attempt to view the current thing with as much clarity and 
opened-mindedness as possible.


Both the authentic and the ironic observer of beauty participates in the construction 
of a relationship with what is beautiful.  The authentic observer creates a deep and 
meaningful rapport with beauty, one in which the search for meaning does not exclude 
the simple and generous presence of the beautiful form and its intrinsic importance.  
The authentic observer initiates a quest to find more and more ideas and truth within 
the beautiful object and in the beautiful object's place and placement in the world.  
The ironic observer creates a confusing and saddening denial of the beautiful object's 
importance and value.  The ironic observer uses the beautiful object as a point of 
departure not for growth, but for vainglorious seeking after the cheap thrill of 
domination and mental enslavement.  For the ironic observer, the beautiful thing 
cannot in and of itself simply BE!  It must always serve the ironist's tools: the 
sarcasm which finds lack of truth, the never present answer to the question of what is 
worth investigating...  Beauty becomes a black hole which never yields results or 
lasting understanding, for the ironist.  It actually, instead, infuriates by 
suggesting such answers might be possible but, ironically enough, never to be found!

There are positive and authentic ways to search for meaning.  The true beauty lover 
will first accept what is actually before him or her, with no preconceptions, and then 
draw forth from the well of personal experience and collective wisdom to identify 
various strands and threads in the weave of grace available to the senses.  He or she 
does not need to exclusively defer the gratification and satisfaction of beauty 
appreciation by denying what is present in favor of what is always absent and lost.  
He or she admits there is more to find in the beautiful object, but does so with 
generosity, and by validating what is already available to them in the work.  The 
ironic observer always denies the available wisdom and grace of the work.


Therefore, the best way to observe and appreciate beauty is, of course, with an open 
mind and the relation to presence which celebrates both what IS and what will come 
after careful searching.  The lover of beauty without irony will always stare into the 
face of their brother or sister and see both a patently clear and available message of 
present life force... and a mystery to be pondered with respect and care.

_____FEBRUARY 2003, USA





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On Thu, 30 Jan 2003 09:31:00
 Ninette Murk wrote:
>
>
>
>dear friends
>today or tomorrow the txt below will be put on the Beauty without Irony
>website and I'd like to start it with some personal statements on beauty
>from you. can you please send me one asap? please add the name you want me
>to put underneath it, your profession and where you live.
>thanx!
>kindest regards
>ninette
>
>
>The BWI Forum is the place where visitors from all over the world can
>virtually meet each other and share their views on beauty. We9d like you to
>submit your personal statement on what true beauty means to you and this
>will be put right here on the website. From all your contributions, the five
>most relevant will be chosen to also feature on the first exposition in
>Paris and in the BWI book.
>Prefer to do it the visual way? In that case, please select your favorite
>picture, together with a short explanation. Our photography curator will
>choose the 3 most heartwrenchingly beautiful ones for the first expo and the
>book.
>E-mail your statement or photo with explanation (in 72 dpi or slightly
>higher) to : [EMAIL PROTECTED]
>Together we can make the world a more beautiful place !
>
>
---
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