Hi David,
I relayed the info to our students, hopefully they will submit something.
That being said, I’m a bit perplexed by the “6th order” specification. I don’t
know the details of the hardware and software involved in the Sonosfera, but I
would imagine that it should be able to playback and decode 3rd, 5th or 7th
order files.
Is it because it was determined that the Sonosfera number of speakers was ideal
for 6th order?
Thanks,
Daniel
Le 2023-01-16 12:01, Sursound a écrit:
----------------------------------------------------------------------
Message: 1
Date: Mon, 16 Jan 2023 13:24:25 +0100
From: "i...@davidmonacchi.it" <i...@davidmonacchi.it>
To: sursound@music.vt.edu
Subject: [Sursound] ISAC 2023 - International Sonosfera? Ambisonics
Competition ?Eugenio Giordani?
Message-ID: <f0f7ce5e-a932-4591-bf64-6291e6287...@davidmonacchi.it>
Content-Type: text/plain; charset="utf-8"
Dear list,
(Apologies for cross-postings)
ISAC 2023
International Sonosfera? Ambisonics Competition ?Eugenio Giordani?
1st call for submission of 3D-audio electroacoustic compositions
Awards ceremony and concert - 9th June 2023
Pesaro, ITALY
https://isac-pesaro.github.io/ <https://isac-pesaro.github.io/>
First Prize ? 2500
Second Prize ? 1000
Third Prize ? 500
(+ expenses for 3 days in Pesaro-Italy)
DEADLINES:
Submission: March 28th 2023
Result: May 5th 2023
Award Ceremony: June 9th 2023
CALL (see THIS PDF <https://isac-pesaro.github.io/call.pdf>)
ISAC competition calls for outstanding 3D-audio works created for full-sphere
reproduction, for an acousmatic or audio-visual listening experience.
Requested works will have to be presented in 6th order Ambisonics format -
maximum duration of 10 minutes. (See pdf for specifics)
Candidates can submit their works exclusively online. The procedure starts by
sending an email indicating name, nationality and age of the candidate to the
following email address: isac.pes...@gmail.com <mailto:isac.pes...@gmail.com>
A response with a link to a Google Drive private folder (were the candidate can
upload all his material) will be sent to his email address. Every candidate can
modify his folder until the end of the call. The Steering Committee will
process all submissions in order to eliminate any reference to candidates?
names and data, and will send to the International Jury only the compositions
for blinded judgment. The requested material will have to include:
1) PDF 1 ? Program notes (with no reference to the name of the candidate)
including:
- Title (and subtitle if applicable)
- Duration (max 10.00 min.)
- Short synopsis with any information on poetics and compositional strategies -
Technical information including photos (if relevant) and original
spatialization techniques used
2) PDF 2 ? Name with short bio and/or extended CV
3) WAV file ? 6th order Ambisonics ACN-SN3D, 48kHz-24bit
CATEGORIES
A) Acousmatic
1. Electroacoustic Music
2. Soundscape Composition
B) Integrated Audio/visual
Juries
There will be two different juries. A Steering Committee will pre-select
compositions on the base of eligibility, technical feasibility, aesthetics and
potential result in Sonosfera?. A Guest Jury will select winners from a short
list of best suited compositions.
Guest International Jury: Natasha Barrett - President (Norway), Chris Chafe
(CCRMA - USA), Rainer Kern (Germany), Otolab (Italy), Barry Truax (SFU -
Canada).
Steering Committee: Nicola Casetta, Carmine Emanuele Cella, Tommaso Giunti,
David Monacchi, Alessandro Petrolati.
Sonosfera? Curators: David Monacchi, Daniele Vimini
Best,
ISAC-2023 Steering Committee
isac.pes...@gmail.com <mailto:isac.pes...@gmail.com>
***************
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