Dear Natasha,

The vacancy is very interesting indeed. 

I’m inclined to apply and wanted just to ask: What does "attendance/residency 
requirements” mean in practice?

I’m a composer specialised in spatial sound and would like to speak more about 
the concept and practicalities of collaboration in “Reconfiguring the 
Landscape”. Would it be possible to have a short call with you just to get a 
feeling?

Best wishes,
Markus

Markus Pesonen
+358(0)401312887 (FI)
LinkedIn: linkedin.com/in/markus-pesonen-bbb366103/ 
<https://www.linkedin.com/in/markus-pesonen-bbb366103/>
Sound Cloud: soundcloud.com/markuspesonen <http://soundcloud.com/markuspesonen>
Facebook: facebook.com/markuspesonen/ <http://facebook.com/markuspesonen/>






> On 8 Dec 2019, at 19:28, Natasha Barrett <n...@natashabarrett.org> wrote:
> 
> PhD position for an electroacoustic composer specialising in spatialisation 
> and acousmatic music / electroacoustic music / sound-art.
> 
> Norwegian Academy of Music, Oslo.
> Fully funded, three years.
> 
> The candidate will work along side a vibrant international team in the 
> “Reconfiguring the Landscape” project.
> 
> Short application deadline 13th January 2020! (Project starts Sept. 2020).
> 
> https://nmh.no/en/about_nmh/current_vacancies/fellowship-attached-to-the-artistic-research-project-reconfiguring-the-landscape
> 
> .......................
> Natasha Barrett
> Professor, Electroacoustic composition.
> Section for music theory, composition and music technology.
> Norwegian Academy of Music, Oslo.
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