Marc,

This is very interesting to me. Did you do this using Wi-Fi or some other 
wireless scheme?

What I've been seeking is a low-cost, low-latency wireless solution for a 
headset. 

We have good, full-bandwidth solutions for wireless microphones. Also for 
wireless performance monitors. Nothing that combines these functions.

Michael Graves
mgra...@mstvp.com
http://www.mgraves.org
o(713) 861-4005
c(713) 201-1262
sip:mgra...@mjg.onsip.com
skype mjgraves

-----Original Message-----
From: Sursound <sursound-boun...@music.vt.edu> On Behalf Of Marc Lavallée
Sent: Tuesday, May 28, 2019 7:20 AM
To: sursound@music.vt.edu
Subject: Re: [Sursound] Deconstructing soundbar marketing B.S.

Last year I hacked a "low latency" (~100ms) stereo RTP streaming software 
between OSX and a Raspberry Pi. A possible solution would be, as Bo Erik 
suggested, to stream 4-channel on a musticast wifi network, then decode it on 4 
RPIs (or similar boards), making sure they are in sync (using PTP). This is on 
my long list of things to try, but I would need  a specific project to 
kick-start this exploration. I'm in the process of setting up a 4-channel 
system in my home office (using two
2.1 DIY "multimedia" system), so it's a good start. We could wait for the 
industry to provide something usable, but it would be proprietary, 
"professional", and expensive (because of the super-specific gold-plated 
hardware, patents, shareholders, marketing, logos, slick web sites, religious 
beliefs, etc). Also (who knows) maybe it's already possible to do it using the 
jack2 software suite.

Marc

Le 28/05/2019 à 07:40, Augustine Leudar a écrit :
> Weve tried local wifi networks at shows before but it was a bit 
> unreliable for droppouts etc then again so is Bluetooth. FOr home us it would 
> be fine.
> Four plug sockets  might be a bit more doable than audio cables as well.
> Wasn't there someone on here who was doing something DIY with the 
> rasberry pie ? Anyway it would nice to bring something commercially viable to 
> market.
>
> On Tue, 28 May 2019 at 09:39, Bo-Erik Sandholm <bosses...@gmail.com> wrote:
>
>> The Speakers won't be wireless as you probably want them to be powered.
>>
>> But it should be easy with bluetooth 4.0 or Wi-Fi direct to create a 
>> solution.
>>
>> Normal Wi-Fi could be used.
>> The low cost esp8266 makes this possible in a diy setup...
>>
>> Stream a 4 channel audiostream to the 4 speakers.
>> Have a switch on each speaker to select which channel it will playback.
>>
>> Could possibly be solved by streaming 2 stereo channels on 2 
>> different ip ports over WiFi instead. 😎
>>
>> Bo-Erik
>>
>>
>>
>> Den tis 28 maj 2019 09:50Augustine Leudar <augustineleu...@gmail.com>
>> skrev:
>>
>>> wow :
>>>
>>> https://youtu.be/KrVGTqRftKY
>>>
>>> Problem is as most engineers know the result of room reflections is 
>>> generally comb filtering not increased spatialisation. Even if you 
>>> could somehow get this to work the time of the reflections would 
>>> depend on room size, the materials on the wall etc etc. It would be 
>>> great if someone
>> could
>>> just invent bluetooth quad (or more)  then you could happily just 
>>> deposit four cable free bluetooth speakers around the room and be 
>>> done with all this nonsense.
>>>
>>> On Tue, 28 May 2019 at 08:38, Augustine Leudar <
>> augustineleu...@gmail.com>
>>> wrote:
>>>
>>>> Thats interesting - ive always wanted to hear transaural actually
>> working
>>>> - I've only tried Spat. However this would require the content
>> producers
>>>> (sound designers) to actually add HRTFs and use software to render 
>>>> trnasaural filters the same as binaural - and most d not , genrally 
>>>> its just the same stereo content used on two speakers produced over 
>>>> a
>>> soundbar.
>>>> Even a soundbar isnt intelligent enough to decide which sounds 
>>>> should appear where, marvelous though they are.
>>>>
>>>> On Tue, 28 May 2019 at 01:55, Aaron Heller <ajhel...@gmail.com> wrote:
>>>>
>>>>> The soundbars I've heard sound like they use crosstalk 
>>>>> cancellation
>> (aka
>>>>> transaural stereo) to achieve surround effects. I believe the work 
>>>>> of Edgar Choueiri and his students at Princeton represents the 
>>>>> state of the art
>>> in
>>>>> that area.
>>>>>     https://www.princeton.edu/3D3A/index.html
>>>>>
>>>>> Also Ralph Glasgal, an occasional poster on sursound -- 
>>>>> http://www.ambiophonics.org
>>>>>
>>>>> Aaron (hel...@ai.sri.com)
>>>>> Menlo Park, CA  US
>>>>>
>>>>>
>>>>>
>>>>>
>>>>> On Mon, May 27, 2019 at 4:43 PM Augustine Leudar < 
>>>>> augustineleu...@gmail.com>
>>>>> wrote:
>>>>>> Hi Douglas -
>>>>>> I dont think he was referring to Atmos soundbars just Atmos in
>>> general .
>>>>>> Atmos will of course work nicely being a 9.1 (or is it 11.1 ?) 
>>>>>> bed
>>> with
>>>>>> objects operating  within that over an unlimited number of 
>>>>>> speakers
>>> (or
>>>>> is
>>>>>> it 128 max)  - as such its true surround (in that the speakers od
>>>>> actually
>>>>>> surround the litener);  .
>>>>>> However its not particularily innovative in that it combines 
>>>>>> stuff
>>> thats
>>>>>> been around for years -  (ambisonics can decode to different 
>>>>>> speaker
>>>>> arrays
>>>>>> from one file for example and I assume the objects move around 
>>>>>> using amplitude panning). Then youve got things like DBAP which 
>>>>>> have the potential to create far more convincing 3D audio scenes 
>>>>>> that ATMOS
>> and
>>>>>> thats been around a lot longer.
>>>>>> But no here we just refer to soundbars in general I think. I find 
>>>>>> it
>>>>> very
>>>>>> unlikely though that an "ATMOS" soundbar would give the 
>>>>>> impression
>> of
>>> a
>>>>>> sound being behind the listener than a basical quad setup where
>> there
>>>>>> actually are two speakers behind the listener.
>>>>>> I agree  placebo definately plays a role in a lot of spatial audio.
>>>>>>
>>>>>> On Mon, 27 May 2019 at 22:00, Douglas Murray <dmur...@well.com>
>>> wrote:
>>>>>>>> On May 27, 2019, at 12:09 PM, mgraves mstvp.com <
>>> mgra...@mstvp.com>
>>>>>>> wrote:
>>>>>>>> See also Dolby Atmos. Yet another triumph of marketing over
>>> reality.
>>>>>>> Dolby is especially good in that arena.
>>>>>>>> Michael Graves
>>>>>>> Michael,
>>>>>>>
>>>>>>> Are you referring to the Dolby Atmos sound bars and ceiling
>> bouncing
>>>>>>> speakers? If so I agree. But as a film sound designer, I don’t
>>> believe
>>>>> I am
>>>>>>> succumbing to marketing hype when I say that Dolby Atmos in a
>> cinema
>>>>>>> setting, with its full range surrounds and speakers in what were
>>> gaps
>>>>> near
>>>>>>> the screen, is a real improvement over other earlier surround
>>> formats
>>>>> for
>>>>>>> cinema. Clearly Dolby is trying to generate profits from the 
>>>>>>> mass
>>> home
>>>>>>> market rather than only from the small cinema world. It’s 
>>>>>>> probable
>>>>> that
>>>>> any
>>>>>>> sound bar, whether “Atmos” or not, will be an upgrade for 
>>>>>>> whomever
>>>>> buys
>>>>> it,
>>>>>>> so happy customers, even if the hype is not lived up to. Maybe
>> it’s
>>>>> the
>>>>>>> placebo effect that makes these things work?
>>>>>>>
>>>>>>> Doug Murray
>>>>>>> _______________________________________________
>>>>>>> Sursound mailing list
>>>>>>> Sursound@music.vt.edu
>>>>>>> https://mail.music.vt.edu/mailman/listinfo/sursound - 
>>>>>>> unsubscribe
>>>>> here,
>>>>>>> edit account or options, view archives and so on.
>>>>>>>
>>>>>>
>>>>>> --
>>>>>> Dr. Augustine Leudar
>>>>>> Artistic Director Magik Door LTD
>>>>>> Company Number : NI635217
>>>>>> Registered 63 Ballycoan rd,
>>>>>> Belfast BT88LL
>>>>>> www.magikdoor.net
>>>>>> +44(0)7555784775
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>>>>>
>>>>
>>>> --
>>>> Dr. Augustine Leudar
>>>> Artistic Director Magik Door LTD
>>>> Company Number : NI635217
>>>> Registered 63 Ballycoan rd,
>>>> Belfast BT88LL
>>>> www.magikdoor.net
>>>> +44(0)7555784775
>>>>
>>>>
>>> --
>>> Dr. Augustine Leudar
>>> Artistic Director Magik Door LTD
>>> Company Number : NI635217
>>> Registered 63 Ballycoan rd,
>>> Belfast BT88LL
>>> www.magikdoor.net
>>> +44(0)7555784775
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