Hey Hyunkook looks great. I d definitely like to submit something if I get time. One application I've found really lets you let loose with spatial audio that I'm not sure is on that list is site specific theatre which would be nice to submit something about All the best Gus
On Tuesday, 12 March 2019, Hyunkook Lee <h....@hud.ac.uk> wrote: > (Apologies for cross posting.) > Perspectives on Music Production: 3-D Audio > Call for Contributions > Arguably the most rapidly expanding area of audio production is that of > 3-D audio – surround sound with representation of height. Such playback is > increasingly commonplace in cinemas, and multi-speaker home setups and > sound-bars are following. In parallel, headphone-based 360° spatial audio > is experiencing huge growth, and the technologies that underpin this are > steadily improving. Such listening is being driven by virtual and augmented > reality, and beyond gaming, soon such applications will proliferate into > many areas of daily life – from productivity to education, through social > networking to music playback. > > Within 3-D audio, there exists an extensive and diverse range of > specialist commercial disciplines – each also with corresponding academic > communities. These include 360° video-content-creators to architects, > post-production creatives to game designers, musicians to hardware > manufacturers, and many more. In the background, there are numerous strands > of scientific research empowering such applications: sound recording, > psychoacoustics, software design, architectural space modelling and more. > > This book will contain a mixture of chapters on both practice-led > applications and technical/scientific treatments. > The editors welcome abstracts for proposed chapters in a forthcoming > Routledge edited-volume entitled ‘3-D Audio’. The scope for contribution > areas are listed below – all of these are with regard to 3-D audio. These > areas are not exclusive. > > * 360° video > * ambisonics > * architecture > * audio for virtual/augmented/mixed-reality > * audio for games > * binaural/spatial-audio engineering > * broadcast and object-based approaches > * cinema-sound/post-production > * codecs > * content-creation > * digital signal processing > * education > * electroacoustic music > * future trajectories > * hardware and software development and manufacture > * human-computer interaction > * installations and sonic art > * live sound/room acoustics > * music perception/cognition > * music mixing/production > * psychoacoustics > * spatial music-composition > * recording > * state of the art > * virtual acoustic modelling > Please submit an abstract of 500-750 words to 3dau...@hepworthhodgson.com > <mailto:3dau...@hepworthhodgson.com> > Please also include a biog of 200-300 words. > Should you have any questions, please email this address. > > Dates and Deadlines > Submission of abstracts for consideration: 5 April > 2019<x-apple-data-detectors://1> > Authors notified if abstract accepted or rejected: 18 April > 2019<x-apple-data-detectors://2> > Chapters to be submitted in full (including release forms): 15 November > 2019<x-apple-data-detectors://3> > Completion of review/edit process: 10 January > 2020<x-apple-data-detectors://4> > Any required author-amendments completed by: 14 February > Holistic review by series editors then submission to Routledge: 24 April > 2020<x-apple-data-detectors://6> > Production process: May – July 2020 > Print/Distribution: September – October 2020 > > About the Perspectives On Music Production Series > Perspectives On Music Production (POMP) is a series of edited and > monograph volumes reflecting a multitude of disciplines, practices and > ideas under the contemporary term ‘music production’ Other edited volumes > include Mixing Music and the soon to be released Producing Music. Monograph > and other calls can be found at www.hepworthhodgson.com<http:/ > /www.hepworthhodgson.com/> > Please note that Routledge do not offer financial remuneration to their > contributors. > Volume Editors > Prof. Justin Paterson, London College of Music | University of West > London, UK > Dr Hyunkook Lee, University of Huddersfield, UK > Series Editors > Dr Jay Hodgson, Western University, Canada > Dr Mark Marrington, York St John University, UK > Russ Hepworth-Sawyer, York St John University, UK > > University of Huddersfield inspiring tomorrow's professionals. > [http://marketing.hud.ac.uk/_HOSTED/EmailSig2014/EmailSigFooter.jpg] > > This transmission is confidential and may be legally privileged. If you > receive it in error, please notify us immediately by e-mail and remove it > from your system. 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