We looked into something like this, though using synthesis not direct recordings, some years ago. The processing isn't that complicated. This articles points to some of the issues encountered in the idea.
N. Mariette, B. Katz, K. Boussetta, and O. Guillerminet, SoundDelta : a study of audio augmented reality using WiFi-distributed Ambisonic cell rendering, in Audio Eng Soc Conv 128, (London), pp. 115, 2010, (http://www.aes.org/e-lib/browse.cfm?elib=15420). -- Brian FG Katz Institut d'Alembert , Sorbonne Universités, UPMC Univ Paris 06, CNRS http://www.dalembert.upmc.fr/home/katz -----Original Message----- Message: 1 Date: Mon, 18 Sep 2017 13:03:21 +0100 From: Matthew Barnard <mjabarn...@gmail.com> To: <Sursound@music.vt.edu> Subject: [Sursound] Multiple ambisonic microphone array? Message-ID: <ec46a655-d7e3-4029-b901-08074a808...@gmail.com> Content-Type: text/plain; charset="utf-8" Hi All, Has anyone had any experience of utilising multiple ambisonic microphones in a spaced array for a recording? I?m looking for any examples (and to hear of pitfalls) in prep for a potential project. Thanks Matt Dr. Matt Barnard University of Hull _______________________________________________ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
