> On 26 Jun 2017, at 12:26, David Pickett <d...@fugato.com> wrote:
> 
> There is something not quite right here.  It seems quite crazy to have to 
> spend over USD 3000 for a preamp/AD convertor to use with a microphone 
> (Tetramic) which is designed to sell for USD 1300 (i.e. much cheaper than the 
> Soundfield).  But I am not convinced that such an expensive preamp is 
> required.  The Tetramic website says: "We've found that a few commercial mic 
> pre/ADCs will do the job. They are the 
> <http://www.motu.com/products/motuaudio/traveler-mk3/ 
> <http://www.motu.com/products/motuaudio/traveler-mk3/>>MOTU Traveler, 
> <http://www.motu.com/products/motuaudio/4pre 
> <http://www.motu.com/products/motuaudio/4pre>>MOTU 4Pre, Metric Halo's 
> <http://www.mhsecure.com/v5mm/ULN-8.html 
> <http://www.mhsecure.com/v5mm/ULN-8.html>>ULN-8, Prism Sound's 
> <http://www.prismsound.com/music_recording/products_subs/orpheus/orpheus_home.php
>  
> <http://www.prismsound.com/music_recording/products_subs/orpheus/orpheus_home.php>>Orpheus,
>  Apogee's <http://www.apogeedigital.com/products/quartet 
> <http://www.apogeedigital.com/products/quartet>>Quartet and 
> <http://www.rme-audio.de/en_products_fireface_ufx.php 
> <http://www.rme-audio.de/en_products_fireface_ufx.php>>RME Fireface UFX."
> 
> I am not a MOTU user, but at USD 449, the MOTU 4Pre presumably has a quite 
> adequate noise specification, or the highly competent Tetramic engineers 
> would not have mentioned it in the same sentence as the more expensive 
> options.
> 
> David

Hi David,

I use the Motu 4pre (with a tablet for on the fly decodes), with a Zoom F8 in 
the field. I also have a RME Fireface in the studio. 
None have problems with the noise floor being louder than that of the mic.
The noise of the Tetramic is only a problem when the subject is quiet or far 
away. So for most musical applications it’s great. If you are trying to capture 
wildlife at a distance then there are better options…

Best

Steve
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