On Thu, Mar 24, 2016 at 10:47 AM, Aaron Heller <hel...@ai.sri.com> wrote:

> ISO/IEC 14496-11 "Information technology — Coding of audio-visual objects
> —Part 11: Scene description and application engine" (second edition, dated
> 11/2013; see Table 9 in page 36)
>
>   and
>
> ISO/IEC JTC1/SC29/WG11 MPEG2015//N15268 "Encoder Input Format for MPEG-H
> 3D Audio" (w15286, dated 2/2015; see Section 4.1),
>
> show HOA components in Daniel's SID order. (0,0; 1,1; 1,-1; 2,2; 2,-2,
> 2,1, 2,-1, 2,0; ...)
>

Should be...

  (0,0;   1,1; 1,-1; 1,0;   2,2; 2,-2; 2,1; 2,-1; 2,0; ...)



>
> I'll admit I don't follow MPEG activities closely.  Have those been
> superseded?
>
> Best...
>
> Aaron (hel...@ai.sri.com)
> Menlo Park, CA   US
>
>
>
> On Thu, Mar 24, 2016 at 5:20 AM, Richard Furse <rich...@muse440.com>
> wrote:
> >
> > N3D/ACN
> >
> >
> http://mpeg.chiariglione.org/standards/mpeg-h/3d-audio/dis-mpeg-h-3d-audio
> >
> > Best wishes,
> >
> > --Richard
> >
> >
> > > -----Original Message-----
> > > From: Sursound [mailto:sursound-boun...@music.vt.edu] On Behalf Of
> > > Sönke Pelzer
> > > Sent: 24 March 2016 11:55
> > > To: Surround Sound discussion group
> > > Subject: Re: [Sursound] Furse-Malham to ACN conversion
> > >
> > > Hi Aaron,
> > >
> > > I looked up some recent MPEG-H papers, but couldn't find information
> about
> > > their HOA channel ordering and normalization scheme.
> > > Could you please point me to these?
> > >
> > > Thank you,
> > > Sönke
> > >
> > >
> > > 2016-03-24 7:25 GMT+01:00 Aaron Heller <hel...@ai.sri.com>:
> > >
> > > > Martin,
> > > >
> > > > Note that while AmbDec can accommodate FuMa normalization on input,
> it
> > > > still makes the connections to jack in ACN order so the inputs will
> often
> > > > appear in Jack in ACN order (and never in FuMa order).  I say "often"
> > > > because the Jack API does not have any notion of the 'order' of an
> > > > application's ports.  To make matters worse, some jack control
> clients,
> > > > like qjackctl, sort the ports by name, so they appear in the GUI in
> FuMa
> > > > order, but if you simply do a 'bulk connect' you'll find the
> individual
> > > > connections were made in ACN order.  You really have to check the
> port
> > > > names carefully when connecting.
> > > >
> > > > The ADT can generate decoders in Faust with any combination of the
> the
> > > > channel order and normalization conventions that I'm aware of (FuMa,
> > > ACN,
> > > > MPEG-H, ...).  Those can be completed to VST and used in Reaper.
> > > >
> > > > There are also 3rd-order FuMa and 5th-order panners for Ambix/ACN
> (the
> > > > latter thanks to Florian Grond).   They are in the faust directory,
> > > > called ambi_panner_fms.dsp and  ambi_panner_5_ACN.dsp.  They have a
> > > built
> > > > in pink noise source with is useful for testing.
> > > >
> > > > It can also generate adapter matrices to convert signals between any
> of the
> > > > order and normalization conventions. An example of an Ambix to FuMa
> > > > converter is in ambix2fuma.dsp .
> > > >
> > > > Also....  feel free to send me the ADT setup you're using, if you'd
> like me
> > > > to check it.
> > > >
> > > > Aaron
> > > >
> > > > On Wed, Mar 23, 2016 at 2:30 PM, Dave Malham
> > > <dave.mal...@york.ac.uk>
> > > > wrote:
> > > >
> > > > > Hi Martin (and Eric!),
> > > > >      One very simple thing I would do, before doing anything else,
> with
> > > > any
> > > > > system that's playing, as we say, silly bu..ers, is just to play a
> well
> > > > > localisable sound out of each speaker (on its own) in turn and
> check that
> > > > > (a) it's coming out of the speaker it should (all connections are
> > > > correct)
> > > > > and that it sounds like it's coming from the direction you think it
> > > > should
> > > > > (acoustics not too disruptive). If you really want to be picky,
> stick a
> > > > > soundfield type mic at the nominal centre point and check correct B
> > > > format
> > > > > signals are produced for each speaker location at the same time.
> Only
> > > > then
> > > > > start worrying about decoders, plugin connections and the rest. I
> once
> > > > > worked out that in a simple 1st order system driving a cube of
> speakers,
> > > > > there are 16 million ways of it going wrong, without counting
> individual
> > > > > component failures in amps, etc. Of course, lots of these ways of
> going
> > > > > wrong are self cancelling (*both* ends of speaker cable can be
> > > connected
> > > > > wrongly, cancelling out the polarity inversion, for instance)
> which is a
> > > > > darn good job otherwise our job would be near impossible. So,
> checking
> > > > the
> > > > > simple things first is a good way to avoid delving around the
> complex..
> > > > >
> > > > >     Good luck
> > > > >              Dave
> > > > >
> > > > >
> > > > > On 23 March 2016 at 18:13, Eric Benjamin <eb...@pacbell.net>
> wrote:
> > > > >
> > > > > > "In both cases the sound was coming from seemingly random places,
> > > and a
> > > > > > number of positions went practically silent."
> > > > > > What is needed, not just for you, but for everyone, is a
> comprehensive
> > > > > set
> > > > > > of test files. It may be that your loudspeakers aren't where the
> system
> > > > > > thinks they are (wrong speaker assignments), or it may be that
> that the
> > > > > > decoder is doing the wrong thing. I have more extensive versions
> of
> > > > test
> > > > > > files, including "with height" like the eight directions files on
> > > > > > Ambisonia., featuring the voice of the lovely Haley Jo. I could
> upload
> > > > > > those if anyone would like them.
> > > > > > You can then use metering to determine if the specific sounds
> light up
> > > > > the
> > > > > > speaker(s) that they should.
> > > > > >
> > > > > > Sent from Yahoo Mail on Android
> > > > > >
> > > > > >   On Tue, Mar 22, 2016 at 1:18 PM, Jörn Nettingsmeier<
> > > > > > netti...@stackingdwarves.net> wrote:   On 03/22/2016 07:49 PM,
> > > Martin
> > > > > > Dupras wrote:
> > > > > > > Today I tried playback sources in third order Ambisonics on a
> 8+6+1
> > > > > > > hemispheric speaker array using Reaper. It didn't quite work as
> > > > > > > intended so I'm trying to figure out where I've gone wrong.
> > > > > > >
> > > > > > > I was using the Blue Ripple TOA-Core panner plugin to position
> the
> > > > > > > sound. I understand that Blue Rippler plugins use the
> Furse-Malham
> > > > > > > convention.
> > > > > > >
> > > > > > > The only decoders that I could find to decode to my specific
> array
> > > > > > > (using coefficients that I calculated using the Ambisonics
> Decoder
> > > > > > > Toolkit) were the Ambix Plug-ins and AmbDec.
> > > > > > >
> > > > > > > I tried Ambix first, which I understand uses the ACN ordering
> > > > > > > convention. I tried re-ordering the channels based on
> information
> > > > that
> > > > > > > I found here:
> > > > > >
> > > https://en.wikipedia.org/wiki/Ambisonic_data_exchange_formats#ACN.
> > > > > > > But that didn't really work.
> > > > > > >
> > > > > > > I then tried to run 16 outputs out of Reaper into Jack, and
> from Jack
> > > > > > > into AmbDec, again using my ADT-calculated coefficients. I
> > > understand
> > > > > > > that AmbDec uses the Furse-Malham convention, so I would have
> > > thought
> > > > > > > it was compatible with the output of the Blue Rippler plugins.
> But
> > > > > > > again, that didn't really work well at all.
> > > > > > >
> > > > > > > In both cases the sound was coming from seemingly random
> places,
> > > and
> > > > a
> > > > > > > number of positions went practically silent.
> > > > > >
> > > > > > To debug erratic panning behaviour, start with first order,
> verify, and
> > > > > > work your way up from there. To make sure the error is not in
> your
> > > > > > calculated coefficients, try to use a known-good decoding matrix
> that
> > > > > > approximates what you have, before feeding in your optimized one.
> > > > > >
> > > > > > With Ambdec, weird things can happen if you connect several ins
> at the
> > > > > > same time using some graphical client, because the order shown
> in for
> > > > > > example qjackctl is lexical, whereas the internal order is
> different.
> > > > So
> > > > > > you will end up with garbled connections. You can feed an ACN
> signal
> > > > > > into ambdec succesfully if you choose SN3D input scaling _and_
> > > manually
> > > > > > connect the inputs correctly.
> > > > > > This wikipedia article
> > > > > >
> https://en.wikipedia.org/wiki/Ambisonic_data_exchange_formats
> > > > > > has some information on that, and other pitfalls when interfacing
> > > > > > different formats.
> > > > > >
> > > > > >
> > > > > > All best,
> > > > > >
> > > > > >
> > > > > > Jörn
> > > > > >
> > > > > >
> > > > > >
> > > > > > --
> > > > > > Jörn Nettingsmeier
> > > > > > Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
> > > > > >
> > > > > > Meister für Veranstaltungstechnik (Bühne/Studio)
> > > > > > Tonmeister VDT
> > > > > >
> > > > > > http://stackingdwarves.net
> > > > > >
> > > > > > _______________________________________________
> > > > > > Sursound mailing list
> > > > > > Sursound@music.vt.edu
> > > > > > https://mail.music.vt.edu/mailman/listinfo/sursound -
> unsubscribe
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> > > > > > edit account or options, view archives and so on.
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> > > > > > _______________________________________________
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> > > > > >
> > > > >
> > > > >
> > > > >
> > > > > --
> > > > >
> > > > > As of 1st October 2012, I have retired from the University.
> > > > >
> > > > > These are my own views and may or may not be shared by the
> University
> > > > >
> > > > > Dave Malham
> > > > > Honorary Fellow, Department of Music
> > > > > The University of York
> > > > > York YO10 5DD
> > > > > UK
> > > > >
> > > > > 'Ambisonics - Component Imaging for Audio'
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> > > >
> > >
> > >
> > >
> > > --
> > >
> > > Dipl.-Ing. Sönke Pelzer
> > >
> > > Institut für Technische Akustik (ITA)
> > > RWTH Aachen
> > > Kopernikusstraße 5
> > > 52074 Aachen
> > >
> > > Phone   +49 (0) 241 80 97924
> > > Fax     +49 (0) 241 80 92214
> > > Mail    soenke.pel...@akustik.rwth-aachen.de
> > > Web     http://www.akustik.rwth-aachen.de
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