Following on from discussions of decoder solutions: Forgive me if I've missed 
this (I've been watching sursound for about 20 years, or so - but I just may 
have missed the odd discussion!)

Has anyone systematically studied the interactions between decoders, speaker 
layouts and particular rooms?

I ask because, it seems to me that interactions between room acoustics and 
speaker positioning are known to have significant psychoacoustic (and 
aesthetic) effects. Informally, I've observed ambisonics working better than it 
had any right to, in particularly difficult rooms (big reflective empty 
shoebox, for example).

But in respect of particular speaker layouts, (as per the discussion on 
avoiding too many speaker in the horizontal plane), it seems to me that there 
could be non-trivial interactions, so that (for arguments' sake) a particular 
room might benefit from 'this' speaker layout as against 'that' speaker layout.

I would seem a monster task to test a wide variety of rooms each with a wide 
variety of speaker layouts (and I haven't even mentioned the possible variety 
of speaker dispersion characteristics!) - but in the long run, it needs doing - 
and sufficient testing might reveal 'families' of layout-room acoustic 
relationships that can point to underlying causal rules.

If it's been done, I'd like to read it, and if it hasn't - sounds like I've 
just knocked together a precis proposal for a PhD project!


Dr. Peter Lennox
Senior Fellow of the Higher Education Academy
Senior Lecturer in Perception
College of Arts
University of Derby

Tel: 01332 593155

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