How much space do the tapes and CDs need ?

On Sunday, 20 December 2015, Augustine Leudar <augustineleu...@gmail.com>
wrote:

> Sorry to hear about your friend. Yes can we have a list of equipment
> available ? I will ask around about housing his work - e here is it all
> based ?
> best
> Gus
>
> On Sunday, 20 December 2015, David Pickett <d...@fugato.com
> <javascript:_e(%7B%7D,'cvml','d...@fugato.com');>> wrote:
>
>> Richard,
>>
>> Sad to hear that he has died.  His Garage Door recording is a classic --
>> although I only have it on the HFN CD, and assume that somewhere there are
>> ambisonic files!
>>
>> I was thinking only the other day that most of my stuff would instantly
>> lose value when I shuffle off my moral coil.  Nobody will know or care how
>> to use the gear I have built, and the significance of the recordings that I
>> have will probably be unknown to those who have to clear up after me.
>> (Unless I do something about this...)
>>
>> It seems that Mike's recordings are one thing and the gear another.  What
>> gear is available?  If a list can be published here, there would probably
>> be stuff of value to members of this list.
>>
>> David
>>
>> At 12:00 20-12-15, Richard G Elen wrote:
>>
>>> Hi, everyone...
>>>
>>> I heard yesterday from my friend John Whiting that the veteran recording
>>> engineer specialising in stereo and spatial sound, Mike Skeet, has passed
>>> away. I knew him from the days of my Editorship of Studio Sound, where he
>>> made several contributions, and over many years he recorded and privately
>>> released an extensive collection of unique recordings including binaural,
>>> Ambisonic and other surround-sound material that makes an important
>>> contribution to our understanding of spatial sound recording.
>>>
>>> Mike leaves an extensive collection of master tapes and equipment, much
>>> of the latter specially built, that has nowhere to go. John Whiting put it
>>> thus:
>>>
>>> ...the master tapes of all the dozens if not hundreds of fine compact
>>>> cassettes and then CDs that he produced over the years will probably end up
>>>> on a scrap heap. A close professional friend has been trying to find a home
>>>> for them and no one is interested, all the way up to the National Sound
>>>> Archive. None of his surviving familiar is likely to give it house room.
>>>> Even most of his sound equipment, much of it unique and all of it first
>>>> rate, has over the last few months proved to be unsaleable and even
>>>> unwanted as a gift.
>>>>
>>>
>>> I wonder if any of you can think of anyone who might be able to give
>>> this landmark collection a home, or if you can pass this information on to
>>> someone who might have thoughts on the subject.
>>>
>>> I will happily pass on any suggestions to John Whiting - I am not sure
>>> whether he is on this list.
>>>
>>> Many thanks,
>>> --Richard Elen
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>>
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>
>
> --
> www.augustineleudar.com
>
>

-- 
www.augustineleudar.com
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