Is there any technical info available about how Atmos content is
encoded? I've seen reference to "128 channels" so does that mean things
are encoded as up to 128 simultaneous channels coming from different
virtual locations? How do they get re-panned for the client-side speaker
configuration? If so are the locations movable or hard-coded in the
format? Are there any shoot-outs out there between Atmos and HOA? It's
hard to find technical info among all the marketing.

-s

On Mon, Dec 7, 2015, at 12:37 PM, Stefan Schreiber wrote:
> Peter Lennox wrote:
> 
> >Yes, the thinking is that a speaker-layout-agnostic format file can be 
> >transmitted and decoded at the client end of things, so it could end up 
> >being mono, stereo, surround, surround with height, large-scale surround (eg 
> >cinema) and so on, depending on the technical competence of the client 
> >machine.
> >Of course, a lot could go wrong...
> >  
> >
> 
> With the limitation that audio objects alone don't define a real 
> acoustic space/environment. (You would have to render this.)
> 
> It is good to have options. But audio objects are not very compatible 
> with holistic = real recordings?
> 
> (Audio objects  have been used  for ages in  game audio, including  
> rendering of reflections and simulated acoustics.)
> 
> Dolby Atmos is actually a hybrid (C/O) format.
> 
> 
> Best,
> 
> Stefan
> 
> 
> 
> >Dr. Peter Lennox
> >Senior Lecturer in Perception
> >College of Arts
> >University of Derby, UK
> >e: p.len...@derby.ac.uk 
> >t: 01332 593155
> >https://derby.academia.edu/peterlennox 
> >https://www.researchgate.net/profile/Peter_Lennox 
> >
> >
> >  
> >
> 
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