Thanks Markus for your explanation. 

This is more that I can understand... 

I understand the distinction between this format and a multi-channel
format (like for ambisonic). But I can't keep myself from asking a
(hopefully) simpler question:

Is the standard also for multi-channel description and/or rendering of
the acoustics of audio scenes, not only for binaural?
Or: Is the focus on binaural a first step?

--
Marc


On Mon, 16 Mar 2015 02:00:43 +0100, Markus Noisternig wrote:
> Dear Marc, 
> 
> Spatial acoustic data is typically described by spatial acoustic
> transfer functions. AES69 describes a format for storing spatial
> acoustic data with a focus on interchangeability and extensibility
> and provides a basis for a wider generalized interchange of
> space-related audio data. It allows to store, e.g., room impulse
> responses measured with microphone arrays and loudspeaker arrays. 
> 
> AES69/SOFA is thus not limited to HRTF/HRIR data. There is no
> preference on binaural listening, but it all started from a
> discussion on sharing HRTF data in between research labs.
> 
> 
> What is the difference between AES69 and SOFA: 
> 
> AES69 builds upon SOFA. It consists of “general specifications” and
> “conventions”. Conventions define recommendations on the naming of
> AES69 attributes, variables, and dimensions for discipline-specific
> data structures, that is particular measurement setups. In other
> standards a set of “conventions" is often referred to as a “profile”.
> New conventions are discussed on the SOFA website. When a new
> convention is considered to be stable enough, it will be added to the
> AES69 standard through the normal revision process.
> 
> The current version of AES69 standardizes 
> — The frequency domain representation of head-related transfer
> functions (HRTFs); — The time domain representation of HRTFs, that is
> head-related impulse responses (HRIRs); and — The time domain
> representation of HRTFs measured in reverberant spaces, that is
> binaural room impulse responses (BRIRs). 
> 
> We hope that we soon can add the following conventions to the
> standard: — The Quadrature Mirror Filter (QMF) domain representation
> of free-field HRTFs, that is the set of QMF parameters; or, even more
> generally, — The time domain representation of spatiotemporal room
> impulse responses, that is directional room impulse responses
> (DRIRs); and — The modal representation of the 3-D wave field, that
> is the spherical harmonics coefficients of the incoming/outgoing wave
> field.
> 
> In our research lab, we are currently using an alpha version of a
> SOFA convention for storing MIMO room impulse responses that were
> measured with a 32-channel spherical loudspeaker array and a
> 64-channel spherical microphone array. These data can be then
> represented in various formats, such as the room impulse responses
> for each transmission channel (i.e. the transfer paths between each
> loudspeaker and each microphone) or the spherical harmonics
> coefficients of emitted and received wave fields, respectively.
> 
> Please note that AES69 is a “spatial acoustic” and not a “spatial
> audio” format. You could of course use AES69/SOFA to store
> multichannel audio data, but I would recommend using more convenient
> multichannel audio data file formats such us broadcast WAV.
> 
> I hope that this answers your questions?
> 
> Kind regards, 
> 
> Markus
> 
> 
> 
> 
> > On 16 mars 2015, at 00:16, Marc Lavallée <m...@hacklava.net> wrote:
> > 
> > Hi Mr. Noisternig.
> > 
> > At first glance, this data file format is about binaural measurement
> > and rendering, and not about multi-channel based auditory scene
> > representation. I don't have access to the AES library, but the SOFA
> > specs are freely available, and I suppose the standard is based on
> > the specs.
> > 
> > Even as a hobbyist, I can understand its usefulness, but why is it
> > named "spatial acoustic", without a reference to binaural
> > listening? It is for marketing reasons, based on the predominance
> > of headphone listening?
> > 
> > --
> > Marc
> > 
> > On Sun, 15 Mar 2015 16:13:47 +0100, Markus Noisternig wrote:
> >> Dear Sursounders, 
> >> 
> >> We are pleased to announce the recent publication of the AES69-2015
> >> standard for file exchange - Spatial acoustic data file format. See
> >> also the AES press release at http://www.aes.org/press/?ID=293
> >> <http://www.aes.org/press/?ID=293>
> >> 
> >> The new AES69-2015 standard defines a file format to exchange
> >> space-related acoustic data in various forms. These include HRTF,
> >> as well as directional room impulse responses (DRIR). The format is
> >> designed to be scalable to match the available rendering process
> >> and to be sufficiently flexible to include source materials from
> >> different databases.
> >> 
> >> This project was developed in AES Standards Working Group SC-02-08
> >> and standardizes the Spatially-oriented format for acoustics
> >> (SOFA), which aims at storing and transmitting any
> >> transfer-function data measured with microphone arrays and
> >> loudspeaker arrays. See http://www.sofaconventions.org/
> >> <http://www.sofaconventions.org/> for further information and
> >> ongoing format discussions.
> >> 
> >> Open source application-programming interfaces (API) for Matlab,
> >> Octave, and C++ are available online at
> >> http://sourceforge.net/projects/sofacoustics/
> >> <http://sourceforge.net/projects/sofacoustics/>
> >> 
> >> All the best, 
> >> 
> >> Markus and Piotr
> >> 
> >> 
> >> --
> >> Markus Noisternig
> >> Acoustics and Cognition Research Group
> >> IRCAM, CNRS, Sorbonne Universities, UPMC
> >> Paris, France
> >> 
> >> Piotr Majdak
> >> Psychoacoustics and Experimental Audiology
> >> Acoustics Research Institute
> >> Austrian Academy of Sciences
> >> Vienna, Austria
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