Hi Daryl, On Thu, Nov 20, 2014 at 11:30 AM, Daryl Pierce <da...@darylpierce.com> wrote:
> I should be getting my google cardboard in the post today. I'm looking > forward to trying this out. When you say it was recorded at the board do > you mean separate instrument or submix stems that where later positioned in > b-format/FOA then? If so I am doubly excited to hear how someone else does > a pop mix in FOA. > That's the gist of it. We have some specialized tools that allow us to get the angles right by looking at each sound source inside the head-mounted display. Adam > > On Thu, Nov 20, 2014 at 11:59 AM, Adam Somers <a...@jauntvr.com> wrote: > > > We just released our first piece of VR content with ambisonic audio to > the > > public. It's a live recording on stage at a recent Paul McCartney > > concert. The audio was captured from the sound board and mixed in > > b-format. Available for Google Cardboard now, Oculus Rift Mac/PC coming > > soon. http://www.jauntvr.com/content/ > > > > Adam Somers > > Jaunt, Inc. > > http://jauntvr.com > > > > On Thu, Nov 20, 2014 at 5:39 AM, Peter Lennox <p.len...@derby.ac.uk> > > wrote: > > > > > Having quickly skimmed through the discussion, I'm not sure if I missed > > > something, so apologies if I have. > > > > > > HRTF derived binaural is never going to completely work unless you use > > > your own, personalised HRTFs. Using generic HRTF datasets, the problems > > > usually manifest as front-back reversals (which head tracking ought to > > > disambiguate) and lack of externalisation. (especially, I seem to > > remember, > > > directly in front of the head). > > > The externalisation problem can be extended to the range-perception > > > problem - and range perception is very largely to do with indirect > sound > > - > > > just as, for instance, range perception does not work well in an > anechoic > > > room. > > > > > > I thought full HRTFs did take into account shoulder and torso > reflections > > > - though it seems likely that it's usually measured with shoulders > > parallel > > > to the line running through the ears? > > > > > > > > > Dr Peter Lennox > > > > > > School of Technology, > > > Faculty of Arts, Design and Technology > > > University of Derby, UK > > > e: p.len...@derby.ac.uk > > > t: 01332 593155 > > > ________________________________________ > > > From: Sursound [sursound-boun...@music.vt.edu] On Behalf Of Bo-Erik > > > Sandholm [bo-erik.sandh...@ericsson.com] > > > Sent: 20 November 2014 09:30 > > > To: Surround Sound discussion group > > > Subject: Re: [Sursound] Oculus Rift Visual Demo + Ambisonic Audio > > > Available? > > > > > > Some of the current subject was vitalized by me trying to be ironic > about > > > how non ambisonic guys are trying to solve the sound field recording > > > problem. > > > > > > Originally there was not, and I am not sure there currently exist a > > > solution for sound and picture having a coherent scene movement > > (controlled > > > by head direction) for Oculus Rift and like VR viewer in video and > sound > > > environments other than those controlled by game engines. > > > > > > I want to listen to realistic FOA tetramic recordings over headphones > if > > > possible. > > > My thinking is strongly impacted by the current availability of a < 20 > > USD > > > 3D direction sensors and low cost processing power. > > > > > > Pointer on howto implement low cost head tracker including headtracking > > > binaural software http://www.matthiaskronlachner.com/?p=2091 > > > > > > Low cost processing: M805 1.5GHz (Cortex-A5) android 4.4 stick for < 40 > > > USD. > > > > > > > > > http://www.geekbuying.com/item/MK808B-Plus-Amlogic-M805-Quad-Core-Android-4-4-Mini-TV-Dongle-1G-8G-WIFI-H-265-HW-Decode-Bluetooth-DLNA-Miracast---Black-337068.html > > > note to self does this ARM v5 version support NEON answer = Yes. > > > > > > > > > I believe there are at least a few glaring problems in the way binaural > > is > > > generated via HRTF's currently. > > > > > > I think head tracking is part of the solution. That is that the sound > > > field decoding parameters to binaural change when you move your head. > > > - the goal of adding head tracking with binaural listening is to get > to > > > the status that the sound field is stationary and externalized . > > > - Personally for me listening to others binaural recordings with inear > > > microphones there can an experience like listening to a vertical sound > > > field slice/surface trough the ears, that is a bit externalization to > the > > > sides and up and down but no depth! > > > - Introducing head tracking controlled rotation of the sound field > > before > > > ambisonic to binaural conversion enables the sound field to stay in > the > > > "initial position" when the listener moves the head in all directions. > > > > > > Things having potential for improvement are in my opinion: > > > - HRTF's are not individual, maybe not such large problem can > > appearently > > > be adapted to during listening, is the ear to ear distance most > > important? > > > - In current state of art all HRTF's are created with the live victim > > > locked in a head brace and the whole body stationary as sound source is > > > rotated horizontally / vertically in relation to the subject or in > worst > > > case the subject is a decapitated kunstkopf! > > > - Maybe we should add a separate info channel for "torso tracing" in > > > addition to the head tracing. See Note 1 > > > - > > > > > > Note 1 > > > I took a look in the mirror :-) > > > When turning the head or nodding, the distance from my shoulders to the > > > ear channels stay the same, more or less. > > > When nodding sideways (is that english?) the distance to the shoulders > > > changes drastically. > > > > > > Today on my walk to work through a park, I walked past a distant white > > > noise point source (a large fan in an air cooling installation). > > > I decided to do a small psychoacoustic experiment with my HRTF's :-). > > > - 1- I rotated my whole body in relation to the sound source as if I > had > > a > > > head brace. > > > - 2- I rotated my whole torso in relation to the sound source with my > > head > > > directed towards the sound source. > > > - 3- I rotated my head in relation to the sound source with stationary > > > torso. > > > - 4- I forgot to nod sideways :-) > > > The only sound change I could notice was for case -2-, there was a > large > > > noticable impact on the white noise spectra, as I am not a musician I > am > > > not able to specify the frequency range that was mostly impacted. > > > > > > I think this is a strong indication that head movement in relation to > the > > > Torso should be added to HRTF processing for binaural sound! > > > Maybe it can be implemented and tested for a special case, that is: > > > - HRTF's created for a fixed torso with the head turned instead of the > > > whole person? > > > - Can this be created with the best resolution in the forwards > listening > > > sphere for optimization? > > > > > > Best Regards > > > Bo-Erik Sandholm > > > Stockholm Sweden > > > > > > -----Original Message----- > > > From: Sursound [mailto:sursound-boun...@music.vt.edu] On Behalf Of dw > > > Sent: den 20 november 2014 00:02 > > > To: sursound@music.vt.edu > > > Subject: Re: [Sursound] Oculus Rift Visual Demo + Ambisonic Audio > > > Available? > > > > > > On 19/11/2014 22:49, Paul Doornbusch wrote: > > > > Can you give us some links to this please? > > > > > > > > Thanks, > > > > Paul > > > > > > I'll give you a couple. If you record a sound in front of a dummy head, > > > you would expect to hear it in front on replay through headphones. > > > If you tilt your head backwards while listening, you would expect the > > > auditory image to rotate with the head/ears/torso. Neither happens in > all > > > cases.. And then there is the 'externalization' problem. > > > > > > > > > > > On 20 Nov 2014, at 9:46 AM, dw <d...@dwareing.plus.com> wrote: > > > > > > > >> There are numerous examples where the predictions of HRTF > localisation > > > are falsified by observations. What is one to think of the science? > > > >> > > > >> > > > > > > _______________________________________________ > > > Sursound mailing list > > > Sursound@music.vt.edu > > > https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe > here, > > > edit account or options, view archives and so on. > > > > > > The University of Derby has a published policy regarding email and > > > reserves the right to monitor email traffic. If you believe this was > sent > > > to you in error, please select unsubscribe. > > > > > > Unsubscribe and Security information contact: info...@derby.ac.uk > > > For all FOI requests please contact: f...@derby.ac.uk > > > All other Contacts are at http://www.derby.ac.uk/its/contacts/ > > > _______________________________________________ > > > Sursound mailing list > > > Sursound@music.vt.edu > > > https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe > here, > > > edit account or options, view archives and so on. > > > > > -------------- next part -------------- > > An HTML attachment was scrubbed... > > URL: < > > > https://mail.music.vt.edu/mailman/private/sursound/attachments/20141120/ba262b89/attachment.html > > > > > _______________________________________________ > > Sursound mailing list > > Sursound@music.vt.edu > > https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, > > edit account or options, view archives and so on. > > > > > > -- > Daryl Pierce > www.darylpierce.com > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: < > https://mail.music.vt.edu/mailman/private/sursound/attachments/20141120/c5c71376/attachment.html > > > _______________________________________________ > Sursound mailing list > Sursound@music.vt.edu > https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, > edit account or options, view archives and so on. > -------------- next part -------------- An HTML attachment was scrubbed... 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