This sounds interesting, but there is no mention of compensation for the
artists whose works are thus presented. Please talk about that.

best,
John

On 4 November 2014 02:38, Martin Parker <martin.par...@ed.ac.uk> wrote:

> Dear SurSound - calling composers and field recordists
> I’m putting together a non-stop playlist of bFormat works to play through
> December as part of ‘gap in the air’, a four month-long sound festival at
> Talbot Rice Gallery in Edinburgh - https://digital.eca.ed.ac.uk/gap-in-air.
> I’d like to invite members of this list to send works in if you have
> something that you think will fit. We’re trying to show a wide range of
> approaches to composing with space and recording sound. We’re interested in
> fully formed pieces, interesting/special field recordings and even one-off
> sound events.
>
> The main conditions for inclusion are that you grant us permission to play
> the sound in the space and that (if a piece of music) the work is yours.
> We’re also looking for technical simplicity so would like the works to
> arrive in four-channel WXYZ bformat .wav. Everything will play at 44.1kHz
> so please SRC the file before sending it in should you need to.
>
> If you want to have your work considered for this playlist please send me
> a link to a dropbox (or other) folder that contains a .zip of the bformat
> file (WXYZ), a photo/album cover if this is relevant, and a text file with
> the following information:
>
> your name
> title of the piece
> duration
> a short description of the piece (1 paragraph - for display in the gallery)
> more extended notes if you wish these to be available online
>
> The deadline for this is end of next week Friday 14th November, we’ll be
> glad to consider submissions after this date but given the time it will
> take to sort through everything and put the playlist together, this is my
> nominal cut off date.  Preference for inclusion on the playlist will be
> shorter tracks as we want gallery visitors to get a sense of the range of
> work that’s out there and what’s possible with ambisonics, some longer
> pieces will also be included.
>
> A technical note: we’ll be decoding the 4 channel files to a 12 (possibly
> 16) channel rig. The room is a Georgian gallery space, so this will colour
> the sound significantly, I’ll attempt to balance the pieces in the room to
> give the best effect for each work, but abandon any hope of their being a
> clear sweetspot. The sound will certainly envelop the listener and fill the
> room but a sense of a solid 'image’ will be fleeting.
>
> Incidentally if you wish to come to Edinburgh, we’ll host a panel
> discussion on sound spatialisation in gallery spaces on the 15th December.
> Would be great to meet some of you at this.
>
> Best wishes
> Martin~
>
> martin.par...@ed.ac.uk
> Programme Director, MSc Sound Design
> http://soundeducation.net
>
> Sound Lab Edinburgh:
> http://sites.ace.ed.ac.uk/sdresearch/
>
> Tel. +44(0)131 650 2333
> Mob. +44(0)7813 217 092
> www.tinpark.com
>
> Postal address:
> MSc Sound Design
> c/o Dr. Martin Parker
> Edinburgh College of Art
> Alison House
> 12 Nicolson Square
> Edinburgh
> EH8 9DF, UK
>
> Google Map:
> http://maps.google.co.uk/?q=eh8+9df
>
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