Dear Anders, please forgive this unsolicited email, but I noticed your message 
on Surround Sound and thought I’d offer a project for your rig/concerts series 
this autumn, if you’re not already fully booked up. 
I’ve just begun re-patching most of my Max projects now to be adaptable to 
nSpeaker setups and I’m using ambisonics to do it. 
In particular, I have a live electronics piece called gruntCount that I would 
like to update as a number of performers that play with this piece like to work 
in multi-channel spaces all around the world. I’d really like a good excuse to 
make it ambisonic compatible and just wondered if you’d be interested in a 
performance using your rig.
The piece is semi-improvised for solo instrumentalist and computer. They are 
very tightly linked together as the sound of the player actually drives the 
piece forwards. 
A CD of the first run of versions was released on sumtone’s band camp label and 
I’d be glad to send you a link to a lossless download of this if you’re 
interested. 
http://sumtone.bandcamp.com/
I suspect that it might be good fun to try using a live microphone in a space 
with all of these speakers ; ). I’ve worked very closely with Anne La Berge 
(flute) on this and we have a very nice new version of the piece (which is 
different every time), but sounds like this please note, this is a single take 
documentary recording of a workshop we did last week, not a finished / polished 
release.
https://www.dropbox.com/s/g3djt95gl0z2m3n/fluteCount-version3.mp3

This kind of thing could perhaps spatialise very well across a wide rig like 
the one you describe.
Let me know if you’re interested in talking further. 
Meanwhile, I wish you all the best for your concert later this week. 
Martin~

On 24 Jun 2014, at 10:27, [email protected] wrote:

> Hi list.
> 
> FYI, there's a concert in Bergen next Thursday, at "Lydgalleriet", a
> skewed shoe-box shaped room in the old-town of Bergen.
> 
> The setup is a quasi 24ch hemisphere, 9+9+5+1, somewhat irregular to
> accommodate the room-shape, mounting options and audience-seating.
> 
> The concert on thursday will be the 3rd concert using the same rig in
> this venue.  The program this time consists of VBAP or Ambisonics-coded
> pieces, composed by:
> 
> Åke Parmerud
> Ludger Brummer
> Fernando Lopez-Lezcano
> Natasha Barrett
> Anders Vinjar
> 
> More details about the music is available online:
> 
> https://underskog.no/kalender/102648_lydgalleriet-bek-presents-an-ambisonics-concert-feat-Åk/forestilling/168666
> 
> Various ambisonics decoders are used to either recode the VBAP pieces or
> decode the native Ambisonics pieces.  Of special interest this time is
> testing optimized decoders calculated using Aaron Hellers Ambisonic
> Decoder Toolbox, setting up config-files for ambdec or Faust-generated
> decoders.
> 
> We're aiming at setting up further concerts (4-5) during the autumn, and
> will test and compare various approaches to decoder design for "the
> Shoebox".
> 
> Cheers,
> 
> Anders Vinjar
> 
> _______________________________________________
> Sursound mailing list
> [email protected]
> https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit 
> account or options, view archives and so on.

Martin~

[email protected]
Programme Director, MSc Sound Design
http://soundeducation.net

Sound Lab Edinburgh:
http://sites.ace.ed.ac.uk/sdresearch/

Tel. +44(0)131 650 2333
Mob. +44(0)7813 217 092
www.tinpark.com

Postal address:
MSc Sound Design
c/o Dr. Martin Parker
Edinburgh College of Art
Alison House
12 Nicolson Square
Edinburgh
EH8 9DF, UK

Google Map:
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