Folks:
And their follow-on album (which is when most people first heard them),
"Trinity Sessions," was (at least partly, like, "Whites Off Earth") also
recorded with a Soundfield microphone -- clearly a favorite of Peter Moore.
The opening track "Mining for Gold" still makes my hair stand-up, catching,
as it does so compellingly, the ambience of Toronto's (stone) Church of
the Holy Trinity, backing-up Margo's "solo" voice.
I don't think I've ever heard anything quite like it in a commercial
release; which is one of reasons why I joined this list!
Merry Christmas,
Mark Stahlman
Jersey City
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