Your memory jives with mine though as I recall, the instruments did surround 
the Soundfield. The vocalist was not recorded directly; rather, her voice was 
amplified through a loudspeaker positioned in front of the Soundfield.

Jeff silberman

>________________________________
> From: Martin Leese <martin.le...@stanfordalumni.org>
>To: sursound@music.vt.edu 
>Sent: Wednesday, June 26, 2013 10:53 AM
>Subject: Re: [Sursound] Giving Precedence to Ambisonics
> 
>
>Eric Carmichel wrote:
>...
>>> Two-channel playback (both convention and binaural) is here to stay for a 
>>> while, so optimizing Ambisonics for stereo is desirable to me. In fact, one 
>>> of my favorite recordings from the late 80s was made with the band (The 
>>> Cowboy Junkies) circled around a Calrec Soundfield mic. I've never heard 
>>> whether the Trinity Session recording was released in a surround format, or 
>>> if the mic's hardware decoder converted straight to stereo from the get go.
>
>The Trinity Session is CD UHJ encoded, so
>can be decoded to surround sound using an
>Ambisonic UHJ decoder.  However, when you
>do this, the performers are (correctly) located
>in strange places.  This suggests that the UHJ
>was not intended to be decoded.  Instead,
>decode it using the Super Stereo mode.  This
>keeps the performers at the front where they
>"belong", while still surrounding the listener
>with the ambience of the Trinity Church.
>
>From memory, the recording engineer has
>said that the output from the Soundfield mic
>went straight into a UHJ encoder, and only two
>channels were recorded.  If true, this means
>that the recording can not exist in B-Format.
>
>Regards,
>Martin
>-- 
>Martin J Leese
>E-mail: martin.leese  stanfordalumni.org
>Web: http://members.tripod.com/martin_leese/
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>
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