Sorry to take so long in responding but I've been driving around France in a Motorhome fo the last couple of weeks! I've used Ambisonics in theatres. There's some info published on its use for the Theatre Royal's production of the York Mystery Plays in 1992 - see http://www.dmalham.freeserve.co.uk/ioapaper1.pdf. The reference for this paper is Malham, D.G. (1992) "Experience with large area 3-D Ambisonic sound systems' Proceedings of the Institute of Acoustics Autumn Conference on Reproduced Sound 8.
Windermere 1992 pp.209-216. Unfortunately the "further experiments" never got done, but this is the paper detailing the origin of "in-phase" decoding (though not called that in it). Dave On 12 May 2013 11:59, Iain Mott <m...@reverberant.com> wrote: > The Earfilms link is interesting. I wonder if people on the list have > other references or links on ambisonics applied in theatrical > productions, either traditional theatre or theatrical installation? Your > own productions or the work of others. > > I'd also be interested to know if people have examples of binaural > radio-drama. > > Thanks, > > Iain > > > > > -- > ________ > Iain Mott > www.audiocena.com.br > www.reverberant.com > > _______________________________________________ > Sursound mailing list > Sursound@music.vt.edu > https://mail.music.vt.edu/mailman/listinfo/sursound > -- As of 1st October 2012, I have retired from the University, so this disclaimer is redundant.... These are my own views and may or may not be shared by my employer Dave Malham Ex-Music Research Centre Department of Music The University of York Heslington York YO10 5DD UK 'Ambisonics - Component Imaging for Audio' -------------- next part -------------- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20130519/e3ab73d5/attachment.html> _______________________________________________ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound