ah ok - I understand better now and agree entirely - thats kind of what I
was trying to say you can mix ambisonics with vbap and any other thing you
want and have the best of all world ;)

On 16 May 2013 15:55, Eero Aro <eero....@dlc.fi> wrote:

> Augustine Leudar wrote:
>
>> However I'm not sure I agree that our hearing cant tell the
>> difference between whether a sound is coming from one or several speakers
>>
>
> I try to be more precise.
>
> If you have a normal 5.1 speaker setup around you and you have several
> playback devices in your use, you can drive a mono sound to one of the
> speakers and the listener will locate the sound into the direction of that
> loudspeaker.
>
> If you have a two channel stereo recording and you play it through the
> FL and FR speakers, the listener will hear a stereo image in front of him.
>
> If you have a discrete 5.1 recording, you can play it back through the 5.1
> setup and the localization will work according to that.
>
> If you have a B-Format recording, you can decode it for example to a
> horizontal layout and use the four "corner" speakers. Again, localization
> will
> occur as we know it does.
>
> Now - you can hit Play on all of these players at the same time and the
> listener
> will hear a mix of your recordings regardless of their format of origin.
> This is
> what I mean by that "the hearing doesn't know" about the reproduction
> system.
>
> From what you have written before, I have understood that the above is
> exactly what
> you have been doing, using discrete speakers for sharp imaging.
>
> Some people think that you need to route _all of the sounds_ through the
> same
> decoder and that would reduce the localization of pinpointed phantom
> sources.
> You don't need to do that, you can feed the amplifier of a certain
> loudspeaker from
> two or several playback sources.
>
>
> Eero
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