Hi Tim, Indeed, SNR is poor at low frequencies for this sort of technique as it relies on the phase difference between the two capsules as produced by their separation. The separation can't be too large as once it gets over half a wavelength the phase starts wrapping around but this means that at low frequencies the difference is tiny and requires a lot of amplification (cf. the 6dB rise in response with frequency that someone else mentioned). This results in poor SNR and worsening susceptibility to capsule variances as the frequency goes down. If you can cope with the extra complexity, using more than one set of capsules with different spacings to cover different frequency ranges is a good idea...
Dave On 9 January 2013 00:15, David Pickett <d...@fugato.com> wrote: > At 11:54 08-01-13, Tim Collins wrote: > >>You can make a velocity microphone by subtracting two closely spaced omnis. > > I seem to recall that Blumlein did this and also found that the s-n ratio > was poor. > > David > > _______________________________________________ > Sursound mailing list > Sursound@music.vt.edu > https://mail.music.vt.edu/mailman/listinfo/sursound -- As of 1st October 2012, I have retired from the University, so this disclaimer is redundant.... These are my own views and may or may not be shared by my employer Dave Malham Ex-Music Research Centre Department of Music The University of York Heslington York YO10 5DD UK 'Ambisonics - Component Imaging for Audio' _______________________________________________ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound