Howdy Michael,
When it comes to death masks, their HRIRs, and localization in the spiritual 
plane, I won't go there. There's enough in the physical realm to keep me 
confused. For example, I have a pair of socks with L embroidered on one and R 
on the other. I have no idea how the sock manufacturer could tell which was 
which. But so long as I have R and L tattooed on my feet, I can keep things 
aligned. Shoes, on the other hand, are always trial and error.
Seriously (kind-of), there seems to be a dearth of info on auditory-vestibular 
interaction, particularly the dynamic effects. We "know" that a fixed item is 
stationary when we move our head, and we know that a moving object is in motion 
when we stand still (or lie down in the case of a good tracing). Lots of 
studies of vestibular-vision interaction, and there are certainly ways to trick 
the mind into believing what ain't true is believable.
Re static anatomical plane inversions: I don't believe that a vestibular cue 
will turn an azimuth interaural cue into a vertical HRTF cue (or vice a 
versa).  But if the vestibular interaction is at the level where all cues are 
used to determine the total 3D location of the source, maybe vestibular input 
can correct for where the head is situated (?).
As usual, I ask a lot of naive questions. Perhaps I'm like the prisoners in 
Plato's Cave Allegory who were only allowed to see (or hear) things from a 
limited perspective. Release from the cave may be too much for yours truly to 
comprehend. But as long as I turn toward the shadows (or my feet), everything 
remains real.
Best regards,
E




________________________________
 From: Michael Chapman <s...@mchapman.com>
To: Eric Carmichel <e...@elcaudio.com>; Surround Sound discussion group 
<sursound@music.vt.edu> 
Sent: Saturday, November 3, 2012 9:52 PM
Subject: Re: [Sursound] Vestibular response, HRTF database, and more
 

Eric,

A bit wide of your topic ... if not indeed off topic.

If you lie a young healthy person (i.e. 'normal' skin elasticity)
on their back and take a copy of their face (a mask).

If you place this on your desk (paperweight-like) it may draw
comments, but not about it being unnatural.

Now hang it on the all. It won't look right and people are
likely to say so. Those who have seen 'death masks' in
museums might even ask if it is one.

(You can extend this ... with strange results ... to parts
of the body that are 'normally' clothed ... but that is
another matter.)

So a trivial example of an audience's automatic (and
unconscious) compensation for orientation.

Think you now have to do the experiments you've
outlined ;-)>

Michael

or orientation
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