Shlomo Dubnov is at UCSD, you could ask him if he has a copy http://musicweb.ucsd.edu/~sdubnov/
Dubnov's paper is online at http://musicweb.ucsd.edu/~sdubnov/Papers/dubnov95hearing.pdf and the reference is to Gerzon's bispectral models, which are covered in "General Metatheory..." (92nd AES Convention, Vienna, 1992, Preprint 3306). Aaron Heller (hel...@ai.sri.com) Menlo Park, CA US On Sun, Jul 22, 2012 at 6:43 PM, Sampo Syreeni <de...@iki.fi> wrote: > On 2012-07-22, Robert Greene wrote: > >> I used to bring this stuff up as a reason why early CD did not sound >> good--that there were possible nonlinearities that made the missing content >> above 21 kHz actually missed. > > > So, you too could possibly help in finding the people who have a copy of > this elusive article/manuscript? Sure you didn't misplace one yourself? I > mean, the point is to find a copy, not so much to debate the (possible) > ideas in it beforehand... ;) > > >> Paul F's analysis is much more likely. > > > Who, what, where? Me wants copy. > > >> Nonlinearities there are, but I do not think that content above 21k >> amounts to anything important and likely it is not even audible. Hard to be >> absolutely sure, however! > > > Isn't that then precisely why we want to find a copy of the article for > someone who's once again interested in learning about and perhaps even > resolving this kinda stuff? > > For me, personally, the earliest dichotic listening studies, done with > wideband (100-200kHz) analog clicks (so prolly minimum phase) were at one > time quite a shocker. They showed much lower binaural discrimination > thresholds than what even AAC and PS now use as the reference level, and > they seemed to be repeatable. I don't remember the precise numbers or the > precise reference, but I seem to remember they were an entire order of > magnitude lower than even "wide band" acoustic, plucked guitar sounds. > > The relevance of that can be argued, but if it's there, and if Gerzon hit > it, I'd *very* much like to see his argument too. For the usual reasons: he > used to be quite a lot ahead of his time and none too conventional in his > analysis. > > Though now that I googled it a bit, I'm no longer sure whether Craven was > actually the prime instigator of that idea. I'd take a working aes.org and > access to it to be sure. Damn... > > -- > Sampo Syreeni, aka decoy - de...@iki.fi, http://decoy.iki.fi/front > +358-50-5756111, 025E D175 ABE5 027C 9494 EEB0 E090 8BA9 0509 85C2 > _______________________________________________ > Sursound mailing list > Sursound@music.vt.edu > https://mail.music.vt.edu/mailman/listinfo/sursound _______________________________________________ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound