Perhaps a useful first step would be to take some B-format recordings from Ambisonia and encode them into the various systems, so we could listen to the differences in some controlled manner. That would also comprise a reference data set to test automated algorithms.
Sorry if this has been answered before, but is there a concise summary of the encoding and decoding equations for the formats? With that in hand, it should be quick MATLAB/Octave exercise to encode some B-format recordings. On Fri, Mar 9, 2012 at 10:22 AM, Eero Aro <eero....@dlc.fi> wrote: > Richard Lee: > > I'm actually listening to the "stereo" presentation of the reverb >> rather than individual sources. >> > > My respect! > But I know what you are talking about. However, your skills need a lot of > listening experience. > > > You'll probably find a stereo fig-8 @ 90 decode from the B-format >> gives sharper images than "UHJ encoding listened in stereo" of the >> same B-format. >> > > Naturally. > > Eero > > ______________________________**_________________ > Sursound mailing list > Sursound@music.vt.edu > https://mail.music.vt.edu/**mailman/listinfo/sursound<https://mail.music.vt.edu/mailman/listinfo/sursound> > -------------- next part -------------- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20120309/44af19cc/attachment.html> _______________________________________________ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound
