Thanks for the reply. this gets more and more interesting, doesn't it. I 
thought the NRDC were responsible for the introduction of UHJ/Ambisonics, but 
then I could be wrong. Am very hazy about what happened when I'm afraid.

I'd really like to get to the bottom of this, really because I'd like to hear 
it decoded.

If you'd like I can scan the relevant parts of the cover for you, it does state 
'Ambisonics' a couple of times. But then, your mention of BMX could possibly 
point the way.

Still haven't been able to contact Calrec who produced the album.

Now, if it is BMX then it should be decodable in the same way I decode QS (and 
SQ) as QS was based on RM

Richard


  Hi Richard,
       Oddly enough, I don't actually remember this  - odd, in that I was 
already interested in 
  Ambisonics at this point (and was completely convince by MAG's Soundfield mic 
presentation at the 
  AES in London the next year). It isn't mentioned in either FELLGETT, P.B. 
'Ambisonic Reproduction of 
  Directionality in Surround Sound Systems' NATURE, Vol 252 December 13, 1974 
pp 534 - 538. or  
  Michael Gerzon, 'Surround Sound Psychoacoustics', Wireless World, vol. 80, 
pp. 483-486 (1974 Dec.). 
  However, it _does_ mention in the latter article that "The National Research 
and Development 
  Corporation has recently bee developing, with the author, a two-channel 
decoding apparatus for BMX 
  or RM-encoded sounds, too feed four loudspeakers ...." so if it was published 
(as well as recorded) 
  around 1974, I'm afraid that there is yet another possibility - it might BMX 
or RM :-)     I would 
  think that the only people around who are really likely to know for certain 
are Geoffrey Barton, 
  Peter Carbines or Peter Craven - pretty well everyone else has gone...

        Dave Malham (just back from holiday - so couldn't respond earlier)

  > Hi all
  >
  > I have a couple of questions that I suspect may be hard to answer, and that 
is regarding the 
  > encoding of a LP I have.
  >
  > I bought this 'Ambisonic' LP in 1977, but it has a recording date of 25th 
March 1974. It is on the 
  > 'Calrec Audio Ltd' label and clearly states the involvement of the N.R.D.C
  >
  > Now the questions I have are:
  >
  > 1, If this is truly an early Ambisonic recording, could it be an early 
version of UHJ where Y= 
  > (0.3225 +- 0.00855j) instead of what is now used Y= (0.3277)
  >
  > 2, Would there be anyway of checking?
  >
  > 3, If it is, is it possible to accurately decode it?
  >
  >
  > Richard


  -- 
    These are my own views and may or may not be shared by my employer
  /*********************************************************************/
  /* Dave Malham   http://music.york.ac.uk/staff/research/dave-malham/ */
  /* Music Research Centre      */
  /* Department of Music    "http://music.york.ac.uk/";        */
  /* The University of York  Phone 01904 432448                        */
  /* Heslington              Fax   01904 432450                        */
  /* York YO10 5DD                                                     */
  /* UK                   'Ambisonics - Component Imaging for Audio'   */
  /*                    "http://www.york.ac.uk/inst/mustech/3d_audio/"; */
  /*********************************************************************/

  _______________________________________________
  Sursound mailing list
  Sursound@music.vt.edu
  https://mail.music.vt.edu/mailman/listinfo/sursound


  -----
  No virus found in this message.
  Checked by AVG - www.avg.com
  Version: 10.0.1392 / Virus Database: 1520/3849 - Release Date: 08/21/11
-------------- next part --------------
An HTML attachment was scrubbed...
URL: 
<https://mail.music.vt.edu/mailman/private/sursound/attachments/20110822/115de05d/attachment.html>
_______________________________________________
Sursound mailing list
Sursound@music.vt.edu
https://mail.music.vt.edu/mailman/listinfo/sursound

Reply via email to