On 08.03.2022 15:07, Roger Pau Monné wrote:
> On Tue, Mar 08, 2022 at 01:34:06PM +0100, Jan Beulich wrote:
>> On 08.03.2022 13:11, Roger Pau Monné wrote:
>>> On Tue, Mar 08, 2022 at 12:15:04PM +0100, Jan Beulich wrote:
On 08.03.2022 11:12, Roger Pau Monné wrote:
> On Mon, Mar 07, 2022 at 0
On Tue, Mar 08, 2022 at 01:34:06PM +0100, Jan Beulich wrote:
> On 08.03.2022 13:11, Roger Pau Monné wrote:
> > On Tue, Mar 08, 2022 at 12:15:04PM +0100, Jan Beulich wrote:
> >> On 08.03.2022 11:12, Roger Pau Monné wrote:
> >>> On Mon, Mar 07, 2022 at 02:53:32PM +0100, Jan Beulich wrote:
> @@ -
On 08.03.2022 13:11, Roger Pau Monné wrote:
> On Tue, Mar 08, 2022 at 12:15:04PM +0100, Jan Beulich wrote:
>> On 08.03.2022 11:12, Roger Pau Monné wrote:
>>> On Mon, Mar 07, 2022 at 02:53:32PM +0100, Jan Beulich wrote:
@@ -179,6 +188,13 @@ SECTIONS
#endif
#endif
+#ifnde
On Tue, Mar 08, 2022 at 12:15:04PM +0100, Jan Beulich wrote:
> On 08.03.2022 11:12, Roger Pau Monné wrote:
> > On Mon, Mar 07, 2022 at 02:53:32PM +0100, Jan Beulich wrote:
> >> As was e.g. making necessary 4b7fd8153ddf ("x86: fold sections in final
> >> binaries"), arbitrary sections appearing with
On 08.03.2022 11:12, Roger Pau Monné wrote:
> On Mon, Mar 07, 2022 at 02:53:32PM +0100, Jan Beulich wrote:
>> As was e.g. making necessary 4b7fd8153ddf ("x86: fold sections in final
>> binaries"), arbitrary sections appearing without our linker script
>> placing them explicitly can be a problem. Ha
On Mon, Mar 07, 2022 at 02:53:32PM +0100, Jan Beulich wrote:
> As was e.g. making necessary 4b7fd8153ddf ("x86: fold sections in final
> binaries"), arbitrary sections appearing without our linker script
> placing them explicitly can be a problem. Have the linker make us aware
> of such sections, s
As was e.g. making necessary 4b7fd8153ddf ("x86: fold sections in final
binaries"), arbitrary sections appearing without our linker script
placing them explicitly can be a problem. Have the linker make us aware
of such sections, so we would know that the script needs adjusting.
To deal with the re