hearing them (which was very close by).
I suspect that a big part of the problem was due to the lack of ambience
in the spot mics. The ambience is a really important cue for distant
sources.
Len Moskowitz (moskow...@core-sound.com)
Core Sound LLC
www.core-sound.com
Home of O
provide it with TetraMic
and it works very well.
Len Moskowitz (mosko...@core-sound.com)
Core Sound LLC
www.core-sound.com
Home of TetraMic
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Richard Lee wrote:
Unfortunately ambisonia.com seems to be unobtainium. I know this has been
asked before but is ambisonia.com archived anywhere and will it be
available again?
Part of it seems to be here: http://www.soundofspace.com/
Len Moskowitz (mosko...@core-sound.com
Ralph Glasgal wrote:
It is virtually impossible to get?360 degrees (including height) via
earphones.
Add head tracking and it's possible. Some folks have been doing that well
for quite some time.
Len Moskowitz (mosko...@core-soun
ism, pp.562-567, 2008 Tenth IEEE
International Symposium on Multimedia, 2008
http://www.sonicemotion.com/ch/images/PDF/M3S_phones.pdf
Len Moskowitz (mosko...@core-sound.com)
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NY, Oct. 21-24, 2001.
Len Moskowitz (mosko...@core-sound.com)
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ird-order
soundfield microphone. Also, presumably the "sweet spot" is comparable
in size to the one we'd expect from a third-order microphone.
If you've been using the HARPEX-B player or plug-in, do you think the claims
are reasonable?
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