On 08/12/2011 02:25, Mark Anderson wrote:
Always nice to hear from you. Thanks so much for the offer but I am really
looking to keep the site as a whole since it offers more than my just my
interest in ambi but also helps collectors of surround recordings with the
research I have done. I certainl
Researching some historical Meridian information today I came across a
piece from Hi-Fi Choice, March 1995, p20 et seq by Malcolm C Steward
entitled "Welcome to Digital Wonderland" that I had not previously read.
In a sidebar on Surround Sound Modes on Meridian's 565 Digital Surround
processor,
On 12/10/13, 1:07 PM, Jörn Nettingsmeier wrote:
...once you toss 4 components into 2 channels, you can never perfectly
separate them again. there will always be some sort of "crosstalk"
Ah yes, the downfall of "quad"...
--R
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Sursound mailing l
Frankly, our group never used any of the other letters followed by "HJ".
Right or wrong, we prefixed "UHJ" with the number of channels, so we
talked about "2-channel UHJ", "2.5-channel UHJ", and so on. If we were
dealing with 4-channel UHJ we either called it that or "with-height UHJ"
which by
The Audio & Design Recording boxes that Geoff Barton designed were
intended as (analogue) outboard units that could be patched into a
conventional mixing console to generate (mainly) first-order (all there
was) Ambisonic B-Format.
The Pan-Rotate unit included eight 360-degree controls, each wi
